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"Contemporary" Does Not Mean "Modem": The Harry Potter Series as a Sampler of Western Literary Traditions

in: Whited, Lana A. and Grimes, M. Katherine, eds. Critical Insights: The Harry Potter Series. Ipswich: Salem Press, 2015. p. 27-48.

"Cosmic Introspection: Lovecraft's Attainment of Personal Value by Way of Infinite Insignificance

in: Brock, Jason V. Disorders of Magnitude: A Survey of Dark Fantasy. New York: Rowman & Littlefield, 2014. p. 9-16. (Reprinted from Weird Fiction Review, Fall 2011)

"Crawling Out of the Middle Ages": The Deep Literary Roots of the Vampires in I Am Legend

in: Mathews, Cheyenne an Haedicke, Janet C., eds. Reading Richard Matheson: a Critical Study. New York: Rowman & Littlefield, 2014. p. 3-16.

"Creation"; When Art and Science Collide

in: Nelson, Donna J.; Perkowitz, Sidney; Grazier, Kevin R.; Paglia, Jaime, eds. Hollywood Chemistry: When Science Met Entertainment. New York: American Chemical Society, 2014. p. 3-16.

"Creepy Metal" - Uber das Unheimliche im Metal

in: Lotscher, Christine, et al, eds. Ubergänge und Entgrenzungen in der Fantastik. Wein: Lit, 2014. p. 143-156.

"Cthulhu, a Vampire, and a Zombie Walk into a Bar...": Why These Themes, Why Now, and What's the Matter with Hollyweird?

in: Brock, Jason V. Disorders of Magnitude: A Survey of Dark Fantasy. New York: Rowman & Littlefield, 2014. p. 273-275.

"Das kommt daher, weil du ein Madchen bist." Die Darstellung von Weiblichkeit und Mannlichkeit in den Werken von Tove Jansson und C. S. Lewis

in: Mairbaurl, Gunda, et al, eds. Kiderliterarische Mythen-Translation: Zur Konstruktion phantastischer Welten bei Tove Jansson, C. S. Lewis und J. R. R. Tolkien. Wein: Praesens Verlag, 2013. p. 161-174.

"Did I Mention It Also Travels in Time?": Time Travel as Formula and Experience in Doctor Who

in: Ginn, Sherry and Leitch, Gillian L., eds. Time-Travel Television: The Past from the Present, the Future from the Past. Langham: Rowman and Littlefield, 2015. p. 233-243.

"Dishonest Work": Heinlein's Attitudes toward Writing,

in: McGiveron, Raafeeq O., ed. Critical Insights: Robert A. Heinlein. Amenia, NY: Grey House, 2015. p. 121-135.

"Do I Look Tasty to You?": Cannibalism beyond Speech and the Limits of Food Capitalism in Park's 301/302

in: Miller, Cynthia and Van Riper, A. Bowdoin, eds. What's Eating You: Food and Horror on Screen. New York: Bloomsbury, 2017. p. 137-154.

"Do you even live here?": regionalism, humor and tradition in Mystery Science Theater 3000

in: Rees, Shelley S., ed. Reading Mystery Science Theater 3000: Critical Approaches. Lanham: Scarecrow, 2012. p. 77-92.

"Doctor: I'm Losing Blood:" "Nonsense: Your Blood is Right Here" The Vampirism of Carl Theadar Dreyer's Film Vampyr

in: Fischer-Hornung, Dorothea and Mueller, Monika. Vampires and Zombies: Transcultural Migrations and Transnational Interpretations. Jackson: University Press of Mississippi, 2016. p. 191-213.

"Doesn't everyone want their parents dead?" Monstrous Children in the Films of Ridley Scott

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 96-106.

"Doesn't He Own a Shirt?": Rivalry and Masculine Embodiment in Twilight

in: Bucciferro, Claudia, ed. The Twilight Saga: Exploring the Global Phenomenon. Lanham, MD: Scarecrow, 2013. p. 139-152.

"Don't Underestimate Her Ability to Talk, It's Her Superpower": Epistemic Negotiation and the Power of Community in Carrie Vaughn's Kitty Norville Series

in: Helford, Elyce R., ed. The Woman Fantastic in Contemporary American Media Culture. Jackson: University Press of Mississippi, 2016. p. 119-131.

"El fantasma en la máquina: El arte chicanafuturista de Marion C. Martínez y la descolonización del futuro.

in: Aguilera, Juan M., ed. Suturas y fragmentos: cuerpos y territorias en la ciencia-ficción. Barcelona, Spain: Fundació Antoni Tàpies, 2006. p. 54-65.

"Elementary, My Dear Robin!": Batman, Sherlock Holmes, and Detective Fiction Fandom

in: Burke, Liam, ed. Fan Phenomena: Batman. Chicago: Intellect/University of Chicago Press, 2013. p. 142-153.

"Enough of the Action, Let's Get Back to Dancing": Joss Whedon Directs Angel

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 119-133.

"Enter Freely and of your own will": Invitations, travel and trauma in Bram Stoker's Dracula

in: Sikorska, Liliana, ed. Of What is Past, or Passing, or To Come: travelling in Time and Space in Literature in English. New York: Peter Lang, 2014. p. 65-76.

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