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“World of Warcraft as Collector’s Paradise.”

In: Cuddy, Luke; Nordlinger, John, Eds. World of Warcraft and Philosophy: Wrath of the Philosopher King. Chicacgo, IL: Open Court Books, 2009. p. 81-91.

“You are not a true geek, I am”: The Role of Communicative Aggression in Geek Culture

in: Bolling, Ben and Smith, Matthew J., eds. It Happens at Comic-con : Ethnographic Essays on a Pop Culture Phenomenon. Jefferson, NC: McFarland, 2014. p. 88-101.

“You Can Kill Your Friends but You Can’t Save Gnomeregan.”

In: Cuddy, Luke; Nordlinger, John, Eds. World of Warcraft and Philosophy: Wrath of the Philosopher King. Chicacgo, IL: Open Court Books, 2009. p. 3-12.

“You Had to Be a Weapon, Ender … We Aimed You”: Moral Responsibility in Ender’s Game

in: Decker, Kevin S., ed. Ender's Game and Philosophy: the Logic Gate is Down. Somerset, NJ: Wiley, 2013. p. 163-174.

“You must feel the Force around you!”: Transmedia Play and the Death Star Trench Run in Star Wars Video Games

in: Guynes, Sean and Hassler-Forest, Dan, eds; Star Wars and the History of Transmedia Storytelling. Amsterdam: Amsterdam University Press, 2017. p. 101-113.

“Your fave is problematic”: why are we so bad at talking about diversity in pop culture?

The New Statesman. September 22, 2015. [11 p.] Online resource: http://www.newstatesman.com/culture/film/2015/09/your-fave-problematic-why-are-we-so-bad-talking-about-diversity-pop-culture

“You’re Nothing to Me But Another . . . [White] Vampire”: A Study of the Representation of the Black Vampire in American Mainstream Cinema

in: Brodman, Barbara and Doan, James E., eds. Images of the Modern Vampire: The Hip and the Atavistic. Madison, NJ: Fairleigh Dickinson, 2013. p. 99-112.

“’Memory and Muchness’: Alice and the Philosophy of Memory.”

In: Davis, Richard Brian, ed. Alice in Wonderland and Philosophy: Curiouser and Curiouser. Hoboken, NJ: John Wiley & Sons, 2010. p. 197-211.

“’You’re Nothing But a Pack of Cards!’: Alice Doesn’t Have a Social Contract.”

In: Davis, Richard Brian, ed. Alice in Wonderland and Philosophy: Curiouser and Curiouser. Hoboken, NJ: John Wiley & Sons, 2010. p. 47-58.

”YOUR… YOUR DOG IS TALKING?” Human/Animal Dichotomy in Geoff Ryman’s Air

Fafnir – Nordic Journal of Science Fiction and Fantasy Research 2(1): 7-14. 2015.

„Das Leben hier begann dort draußen" Die Präastronautik als Systemesoterik der Gegenwartskultur unter besonderer Berücksichtigung der Batt-lestar-Galactica-Serie

in: Schärtl, Thomas and Hassel, Jasmin, eds. Nur Fiktion?: Religion, Philosophie und Politik im Science-Fiktion-Film der Gegenwart. Munster: Aschendorff, 2015. p. 121-144.

„der zauberkasten / des famosen dr. mabuse / enthält mich, mädels!" H. C. Artmanns Fantastik und Raum[Welt]-Modell

in: Klenke, Pascal, Muth, Laura, Seibel, Klaudia, and Simonis, Annette, eds. Writing Worlds: Welten- und Raummodelle der Fantastik. Heidelberg, Neckar Universitätsverlag Winter GmbH, 2014. p. 141-152.

„Die Wahrheit ist irgendwo da drinnen" Science Fiction und Philosophie des Geistes

in: Schärtl, Thomas and Hassel, Jasmin, eds. Nur Fiktion?: Religion, Philosophie und Politik im Science-Fiktion-Film der Gegenwart. Munster: Aschendorff, 2015. p. 41-68.

„If nothin g we do matters, than all that matters is what we do": Traditionelle Erlösungsvorstellungen im Science- Ficiton-Film

in: Schärtl, Thomas and Hassel, Jasmin, eds. Nur Fiktion?: Religion, Philosophie und Politik im Science-Fiktion-Film der Gegenwart. Munster: Aschendorff, 2015. p. 145-183.

„Nur eine Geschichte?" Schrift und Schriftverständnis in Battiestar Galactica

in: Schärtl, Thomas and Hassel, Jasmin, eds. Nur Fiktion?: Religion, Philosophie und Politik im Science-Fiktion-Film der Gegenwart. Munster: Aschendorff, 2015. p. 185-201.

• Science in Science Fiction: The Two-Way Stretch

Science Fiction Quarterly 4(5): 50-57. November 1956.

'Those most intimately concerned': the strength of chosen family in Elizabeth Gaskell's Gothic short fiction

in: Andeweg, Agnes and Zlosnik, Sue, eds. Gothic Kinship. New York: Manchester University Press, 2013. p. 30-47.

A Good Seore Goes to War: Multiculturalism, Monsters and Music in New Doctor Who

in: Hills, Matt, ed. New Dimensions of Doctor Who: Adventures in Space, Time and Television, ed. by Matt Hills. New York: I. B. Tauris, 2013. p. 19-38.

A Political History of NASA’s SETI Program

in: Vakoch, Douglas A., ed. Archaeology, Anthropology, and Interstellar Communication, ed. by Douglas A. Vakoch. Washington, DC: NASA, 2014. p. 23-48.

Access Denied? Negotiating Public Service and Commerciai Tensions through Torchwood's Intertextual Barricade

in: Williams, Rebecca, ed. Torchwood Declassified: Investigating Mainstream Cult Television. New York: I. B. Tauris, 2013. p. 13-32.

Between Horror, Humour, and Hope: Neil Gaiman and the Psychic Work of the Gothic

in: Jackson, Anna, Coats, Karen, McGillis, Roderick, eds. The Gothic in Children's Literature: Haunting the Borders. New York: Routledge, 2008. p. 77-92.

Buffy the Vampire Slayer: An Introduction

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 17-21.

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