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Starlog 226: 34-37. May 1996.


Cinefantastique 28(2): 40-43 ,61. September 1996.


Locus 74(2): 6-7, 68-70. February 2015.

Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element

in: Blakesley, David. The Terministic Screen: Rhetorical Perspectives on Film. Carbondale: Southern Illinois University Press, 2003. p. 70-91.

Hypersaurus Rex: Recombinent Reality in Jurassic Park

in: Wood, Andrea and Schillace, Brandy, eds. Unnatural Reproductions and Monstrosity: The Birth of the Monster in Literature, Film and Media. Amherst, NY: Cambria, 2014. p. 213-234.


in: Westfahl, Gary, ed. The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders. Westport, CT: Greenwood, 2005. pp. 404-406.

Hypertext as a Writing Tool

SFWA Bulletin 26(2): 6-10. Summer 1992. (No. 116)

Hypertextually, Maybe? Rob Swigart's Interactive Fiction: Portal

in: De Riz, Francesca B./Zorzi, Rosella M., eds. Technology and the American Imagination: An Ongoing Challenge. Venezia: Supernova, 1994. p. 84-93.

Hyping Brittle Innings: A Book Giveaway at Golden Park in Columbus, Georgia, Spring 1994

New York Review of Science Fiction 25(3): 22-23. November 2012. (No. 291)

Hyping Who and Marketing the Steven Moffat Era: The Role of 'Prior Paratexts'

in: O'Day, Andrew, ed. Doctor Who – The Eleventh Hour: A Critical Celebration of the Matt Smith and Steven Moffat Era. London: I. B. Tauris, 2014. p. 181-203.

Hypnose, mise en scene et rnaitrise : Cure de Kiyoshi Kurosawa

in: Paquet-Deyris, Anne-Marie, ed. Les Cinemas d l'horreur: Les Malefiques, ed. by Anne-Marie Paquet-Deyris. Conde-sur-Noireau: Editions Charles Corlet, 2010. p. 207-212.

Hypnotic (Review)

Cinefantastique 36(2): 54. April/May 2004.


in: Westfahl, Gary, ed. The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders. Westport, CT: Greenwood, 2005. pp. 406-408.

Hypocrite Lecteuse! Ma Semblable! Ma Soeur!: On Teaching Murder in the Dark,

in: Wilson, Sharon R., Friedman, Thomas B. and Henren, Shannon, eds. Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996. p. 90-98.

Hypocrite Vampire

Gothic Studies 9(1): 16-49. May 2007.

Hypodermic Needles and Evil Twins: The Poverty Row Wartime Honors of Sam Newfield

in: DeGiglio-Bellemare, Mario, Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 261-274.

Hypotheses fingo

in: Science et science fiction: actes du IVème colloque international de Science-fiction Nice-Valbonne Sophia Antipolis. Nice : Centre d'Etude de la Métaphore Faculté des Lettres Université de Nice-Sophia Antipolis, 1992. (Métaphores no. 20-21-22.) Vol. 1, p. 29-38.

Hypotheses sur la presence de l'Antiquite grecque et romaine dans l'oeuvre de Hayao Miyazaki

in: Bost-Fievet, Melanie and Provini, Sandra, eds . L'Antiquité dans l'imaginaire contemporain: fantasy, science-fiction, fantastique. Paris: Classiques Garnier, 2014. p. 509-524.

Hysteria and Traumatic Testimony: Margaret Atwood's Alias Grace

Essays on Canadian Writing No. 81: 103-121. Winter 2004.

Hysterical Sensations: Bodies in Action in Wilkie Collins The Woman in White,

in: Brock, Marilyn, ed. From Wollstonecraft to Stoker: Essays on Gothic and Victorian Sensation Fiction. Jefferson, NC: McFarland, 2009. p. 79-88.

Hysteron Proteron in Gravity's Rainbow

Texas Studies in Language and Literature 34(1): 87-105. Spring 1992.

Hythlodeus' female heir : transformation of the utopian/dystopian concept in Gioconda Belli's «Waslala: Memoria del Futuro»

Space in Utopia No. 2, 2006. (http://ler.letras.up.pt/site/default.aspx?qry=id05id174id275&sum=sim)

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