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A Song of the Urban Superhero

in: Hatfield, Charles, Heer, Jeet, and Worcester, Kent, eds. The Superhero Reader, ed. by Charles Hatfield, Jeet Heer, and Kent Worcester. Jackson: University Press of Mississippi, 2013. p. 170-198. (Originally titled “The Boys in the Hoods: A Song of the Urban Superhero,” reprinted from Matters of Gravity: Special Effects and Supermen in the 20th Century, Duke Univ. Press, 2003, 184– 223)

Bataille y la nueva carnalidad

Revista de Occidente No. 153: 113-140. 1994.

Gibson's Typewriter

South Atlantic Quarterly 92(4): 627-645. Fall 1993.

Secret Identity Politics,

in: Ndalianis, Angela, ed. The Contemporary Comic Book Superhero. New York: Routledge, 2009. p. 109-125.

Terminal Identity: The Virtual Subject in Postmodern Science Fiction

Durham, NC: Duke University Press, 1993. 404pp. (Based on the author's Ph.D. Dissertation, New York University, 1992. 492pp. (DAI-A 53/08, p. 2579. February 1993.)

Terminal Penetration,

in: Bell, David and Kennedy, Barbara M., eds. The Cybercultures Reader. New York: Routledge, 2000. p. 149-174.

The Artificial Infinite: On Special Effects and the Sublime

in: Kuhn, Annette, ed. Alien Zone II: The Spaces of Science Fiction Cinema. London: Verso, 1999. pp. 249-275.

The Cybernetic (City) State: Terminal Space Becomes Phenomenal

Journal of the Fantastic in the Arts 2(2):43-63. Summer 1989.

Who Programs You? The Science Fiction of the Spectacle

in: Kuhn, Annette, ed. Alien Zone. London: Verso, 1990. pp.196-213.

Who Programs You? The Science Fiction of the Spectacle

in: Redmond, Sean, ed. Liquid Metal: The Science Fiction Film Reader. New York: Wallflower Press, 2004. p. 228-238.

Why I Hate Superhero Movies

Cinema Journal 50(3): 118-122. Spring 2011.

X-Bodies: The Torment of the Mutant Superhero

in: Sappington, Rodney and Stallings, Tyler, eds. Uncontrollable Bodies: Testamonies of Identity and Culture. Seattle, WA: Bay Press, 1994. p. 93-129.

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