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"Can I Spend the Night / Alone?": Segments and Connections in "Conversations with Dead People"

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 70-83.

"Let it simmer": Tonal Shifts in "Pangs"

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 108-124.

'Who Died and Made Her the Boss?': Patterns of Morality in Buffy

in: Wilcox, Rhonda V. and Lavery, David, eds. Fighting the Forces: What's at Stake in Buffy the Vampire Slayer? Lanham: Rowman & Littlefield, 2002. p. 3-17.

Afterword: The Depths of Angel and the Birth of Angel Studies

in: Abbott, Stacey, ed. Reading Angel: The TV Spin-off with a Soul. New York: Taurus, 2003. p. 221-229.

Bite-Size Pieces: Disassembling the Gothic Villain in Witchblade

in: Brabon, Benjamin A/Genz, Stephanie, eds. Postfeminist Gothic: Critical Interventions in Contemporary Culture. Basingstoke, UK: Palgrave Macmillan, 2007. p. 43-55.

Echoes of Complicity: Reflexivity and Identity in Joss Whedon’s Dollhouse

Slayage 8(2/3): [20 p.] Summer/Fall 2010. (http://slayageonline.com)

Every Night I Save You: Buffy, Spike, Sex and Redemption

Slayage No. 5: [8 p.] April 2002. (Online resource: http://www.slayage.tv/essays/slayage5.shtml)

Forced Glory: Katniss Everdeen, Bella Swan, and Varieties of Virginity

in: Helford, Elyce R., ed. The Woman Fantastic in Contemporary American Media Culture. Jackson: University Press of Mississippi, 2016. p. 193-208.

Foreword: Out Far or In Deep

in: Early, Frances and Kennedy, Kathleen, eds. Athena’s Daughters: Television’s New Women Warriors. Syracuse, NY: Syracuse University Press, 2003. p. ix-xii.

Good Myth: Joss Whedon's Further Worlds,

in: Wilcox, Rhonda V., and Cochran, Tanya R.,eds. Investigating Firefly and Serenity: Science Fiction on the Frontier. New York: I. B. Taurus, 2008. p. 1-16,

In The Demon Section of the Card Catalog: Buffy Studies and Television Studies

Slayage 6(1): [18 p.]. 2006. (No. 21). August 2006. (http://www.slayage.com/)

Introduction

in: Wilcox, Rhonda V. and Lavery, David, eds. Fighting the Forces: What's at Stake in Buffy the Vampire Slayer? Lanham: Rowman & Littlefield, 2002. p. xvii-xxix.

Lois's Locks: Trust and Representaion in Lois and Clark: The New Adventures of Superman

in: Helford, Rlyce R., ed. Fantasy Girls: Gender in the New Universe of Science Fiction and Fantasy Television. Lanham: Rowman and Littlefield, 2000. pp. 91-114.

Miscegenation in Star Trek: The Next Generation

in: Harrison, Taylor/Projansky/Ono, Kent A./Helford, Elyce R., eds. Enterprise Zones: Critical Positions on Star Trek. Boulder, CO: Westview Press, 1996. pp. 69-94.

Not The Same Arrangement: Breaking Utopian Promises in the Buffy Musical

in: Attinello, Paul, Halfyard, Janet K. and Knights, Vanessa, eds. Music, Sound, and Silence in Buffy the Vampire Slayer. Farnham, UK: Ashgate, 2010. p. 189-208.

Set on This Earth Like a Bubble: Word as Flesh in the Dark Seasons,

in: Edwards, Lynne Y., Elizabeth L. Rambo and James B. South, eds. Buffy Goes Dark: Essays on the Final Two Seasons of Buffy the Vampire Slayer on Television. Jefferson, NC: McFarland, 2009. p. 95-113.

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