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'Change for the Machines'? Posthumanism as Digital Sentience

in: Hauskeller, Michael, Philbeck, Thomas D., and Carbonell, Curtis D., eds. The Palgrave Handbook of Posthumanism in Film and Television. New York: Palgrave Macmillan, 2015. p. 120-129.

A Family of Displaced Figures: An Overview of Danna Haraway,

Science Fiction Film and Television 1(2): 289-301. Spring 2008.

Ab-realism: Fractal Language and Social Change

in: Edwards, Caroline and Venezia, Antonio, eds. China Mieville: Critical Essays. Canterbury: Gylphi, 2015. p. 39-60.

Abject posthumanism: Neoliberalism, biopolitics, and zombies

in: Levina, Marina and Bui, Diem-My T., eds. Monster culture in the 21st century : a reader. London, UK: Bloomsbury Publishing, 2013. p. 133-148.

Afterword: The World Gibson Made

in: Murphy, Graham J. and Vint, Sherryl, eds. Beyond Cyberpunk: New Critical Perspectives. New York: Routledge, 2010. p. 211-227.228-233.

Alfred Bester (1913-87),

in: Bould, Mark, et al, eds. Fifty Key Figures in Science Fiction. New York: Routledge, 2010. p. 27-32.

Animal Alterity: Science Fiction and Human-Animal Studies, Sherryl Vint

in: Latham, Rob, ed. Science Fiction Criticism: An Anthology of Essential Writings. New York: Bloomsbury, 2017. p. 414-436.

Animal Alterity: Science Fiction and the Question of the Animal.

Liverpool, UK: Liverpool University Press, 2010. 269 p.

Animal Studies in the Era of Biopower,

Science Fiction Studies 37(3): 444-455. November 2010.

Animals and Animality from the Island of Moreau to the Uplift Universe

The Yearbook of English Studies 37(2): 85-102. July 1, 2007.


in: Reid, Robin A., ed. Women in Science Fiction and Fantasy. Westport, CT: Greenwood, 2009. Volume 2, p. 9-11.

Babylon 5: Our First, Best Hope for Mature Science Fiction Television

in: Telotte, J. P., ed. The Essential Science Fiction Television Reader. Lexington : University Press of Kentucky, 2008. p. 247-266.

Biopolitics and the War on Terror in World War Z and Monsters

in: Redmond, Sean and Marvell, Leon, eds. Endangering Science Fiction Film. New York: Routledge, 2016. p. 66-79.

Both/And: Science Fiction and the Question of Changing Gender

Strange Horizons [9 p.] February 18, 2002. (http://www.strangehorizons.com/2002/20020218/both_and.shtml)

Coding of Race in Science Fiction: What's Wrong with the Obvious?

in: Leroux, Jean-Francois/La Bossiere, Camille R., eds. Worlds of Wonder: Readings in Canadian Science Fiction and Fantasy Literature. Ottawa: University of Ottawa Press, 2004. p. 119-130.

Dead Penguins in Immigrant Pilchard Scandal: Telling Stories about The Environment in Antarctica,

in: Burling, William J., ed. Kim Stanley Robinson Maps the Unimaginable. Jefferson, NC: McFarland, 2009. p. 257-273,

Donna J[eanne] Haraway (1944-),

in: Bould, Mark, et al, eds. Fifty Key Figures in Science Fiction. New York: Routledge, 2010. p. 91-96.

Dystopian Science Fiction and the Return of the Gothic

in: Boxall, Peter and Cheyette, Bryan, eds. The Oxford History of the Novel in English, Volume 7: British and Irish Fiction since 1940. Oxford, UK: Oxford University Press; 2016. p. 383-397.

Embodied Texts, Embodied Subjects: An Overview of N. Katherine Hayles,

Science Fiction Film and Television 1(1): 115-126. Spring 2008.

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