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"Madness and monstrosity": Notions of the Gothic and Sublime in Comics Adaptations of H. P. Lovecraft

in: Hutchison, Sharla and Brown, Rebecca A., eds. Monsters and Monstrosity from the fin de si├Ęcle to the Millennium: New Essays. Jefferson, NC: McFarland, 2015. p. 187-205.

"The Most Monstrous of Monsters": Gender, Sexuality, and Marriage in A Stir of Echoes and Earthbound

in: Mathews, Cheyenne an Haedicke, Janet C., eds. Reading Richard Matheson: a Critical Study. New York: Rowman & Littlefield, 2014. p. 117-128.

Better the House Than an Asylum: Gothic Strategies in Robert Bloch's Psycho,

in: Szumskyj, Benjamin, ed. The Man Who Collected Psychos: Critical Essays on Robert Bloch. Jefferson, NC: McFarland, 2009. p. 121-133.

No That's What I Call a Close Encounter!: The Role of the Alien in Science Fiction Films, 1977-2001

Scope: An Online Journal of Film Studies [19 p.] November 2004. (http://www.nottingham.ac.uk/film/journal/)

Playing Hard to Get: Game-Playing and the Search for Humanity in Star Trek and Red Dwarf

in: Mead, David/Frelik, Pawel, eds. Playing the Universe: Games and Gaming in Science Fiction. Lubin: Wydawnictwo Uniwersytetu Marii Curie-Sklodowskiej. New York: Peter Lang, 2007 p. 113-126.

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