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(Re)Reading Queerly: Science Fiction, feminism, and the Defamiliarization of Gender

Science Fiction Studies. 26(1): 23-40. March 1999. Also in: Barr, Marleen S., ed. Future Females, The Next Generation. Lanham: Rowman, 2000 and in: Flanagan, Mary. Reload: Rethinking Women and Cyberculture. Cambridge: MIT Press, 2002. p, 301-320.

A Language of the Future: Discursive Constructions of the Subject in A Clockwork Orange and Random Acts of Senseless Violence

in: Sawyer, Andy/Seed, David, eds. Speaking Science Fiction: Dialogues and Interpretations. Loverpool, UK: Liverpool University Press, 2000. pp. 82-95.

Apocalypse Coma

in: Hollinger, Veronica and Gordon, Joan, eds. Edging into the Future: Science Fiction and Contemporary Cultural Transformation. Philadelphia: University of Pennsylvania Press, 2002. pp. 159-173.

Contemporary Trends in Science Fiction Criticism, 1980-1999

Science Fiction Studies. 26(2): 232-262. July 1999.

Cybernetic Deconstructions: Cyberpunk and Postmodernism

Mosaic 23(2): 29-44. 1990. Also in: Wolmark, Jenny, ed. Cybersexualities. Edinburgh: Edinburgh University Press, 1999. p. 174-190. (Reprinted from McCaffery, L., ed. Storming the Reality Studio, Duke University Press, 1991. p. 203-218.) in: Latham, Rob, ed. Science Fiction Criticism: An Anthology of Essential Writings. New York: Bloomsbury, 2017. p. 43-58.

Cyborgs

in: Westfahl, Gary, ed. The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders. Westport, CT: Greenwood, 2005. pp. 171-174.

Deconstructing the Time Machine

Science Fiction Studies 14(2):201-221. July 1987.

Fantasies of Absence: The Postmodern Vampire

in: Gordon, Joan and Hollinger, Veronica, eds. Blood Read: The Vampire as Metaphor in Contemporary Culture. Philadelphia: University of Pennsylvania Press, 1997. pp. 199-212.

Feminist Science Fiction: Breaking Up the Subject

Extrapolation 31(3): 229-239. Fall 1990.

Future Presence: Intersections of Science Fiction and Postmodernism

Ph.D. Dissertation, Concordia University, 1994. 248pp. (DAI-A 56(7): 2676. January 1996.)

Future/Present: The End of Science Fiction

in: Seed, David, ed. Imagining Apocalypse: Studies in Cultural Crisis. New York: St. Martin's, 2000. p. 215-229.

Genre vs. Mode (Science Fiction as Genre)

in: Latham, Rob, ed. The Oxford Handbook of Science Fiction. New York: Oxford University Press, 2014. p. 139-151.

Humanity 2.0: Retrospective, Abjection, and the Future-to-Come

Paradoxa No. 26: 268-283. 2014. (SF Now, ed. by Mark Bould and Rhys Williams)

Introduction: Queer Universes,

in: Pearson, Wendy G.; Hollinger, Veronica; Gordon, Joan, eds. Queer Universes: Sexualities in Science Fiction. Liverpool, UK: Liverpool University Press, 2008. p. 1-12.

Notes on the Contemporary Apocalyptic Imagination: William Gibson's Neuromancer and Douglas Coupland's Girlfriend in a Coma

in: Leroux, Jean-Francois/La Bossiere, Camille R., eds. Worlds of Wonder: Readings in Canadian Science Fiction and Fantasy Literature. Ottawa: University of Ottawa Press, 2004. p. 47-56.

Parabolas of Science Fiction, ed. by Brian Attebery and Veronica Hollinger

Middletown, CT: Wesleyan University Press, 2013. 312 p. p.

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