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Results for author : "Malekin, Peter"

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'What Dreams May Come?': Relativity of Perception in Doris Lessing's Briefing for a Descent into Hell

in: Morse, Donald E., ed. The Celebration of the Fantastic. Westport, CT: Greenwood, 1992. pp.73-80.

Decentered Absolute: Significance in the Postmodern Fantastic

Journal of the Fantastic in the Arts. 1(4): 9-17. 1988.

Eliot's 'Brunt Norton': Notes Towards a Definition of the Fantastic

in: Palumbo, Donald, ed. Spectrum of the Fantastic. Westport, CT: Greenwood, 1988. pp.29-37.

Fractured Whole: The Fictional World of Harlan Ellison

Journal of the Fantastic in the Arts. 1(3):21-26. 1988.

Knowing about Knowing: Paradigms of Knowledge in the Postmodern Fantastic

in: Ruddick, Nicholas, ed. State of the Fantastic. Westport, CT: Greenwood, 1992. pp.41-47.

Poetry and the Pre-Fantastic

in: Murphy, Patrick D. and Hyles, Vernon, eds. The Poetic Fantastic. New York: Greenwood, 1989. pp.10-28.

Re-membering: Time and Myth in Kleinziet and The Medusa Frequency

in: Becker, Allienne R., ed. Visons of the Fantastic: Selected Essys from the Fifteenth International Conference on the Fantastic in the Arts. Westport, CT: Greenwood, 1996. pp.189-195.

Remembering the Future: Gene Wolfe's The Book of the New Sun

in: Morse, Donald E., ed. The Fantastic in World Literature and the Arts. Westport, CT: Greenwood, 1987. pp.47-57.

Shakespeare, Freedom, and the Fantastic

in: Hokenson, Jan, ed. Forms of the Fantastic. Westport, CT: Greenwood, 1986. pp.129-142.

The Perilous Edge: Strindberg, Madness, and Other Worlds

in: Murphy, Patrick D., ed. Staging the Impossible: The Fantastic Mode in Modern Drama. Westport, CT: Greenwood, 1992. pp.44-55.

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