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Ye Shall Be as Gods: Metaphysics in Philip Pullman's His Dark Materials

in: Petzold, Dieter, ed. Inklings: Jahrbuch fur Literature und Asthetik, BAND 22, 2004. Moers: Brendow Verlag, 2004. p. 170-184.

Ymagynatyf and J. R. R. Tolkien's Roman Catholicism, Catholic Theology, and Religion in The Lord of the Rings

in: Kerry, Paul E. and Miesel, Sandra, eds. Light Beyond All Shadow: Religious Experience in Tolkien's Work. Lanham, MD: Fairleigh Dickinson University Press, 2011. p. 79-98.

Zombie Categories, Religion and the New False Rationalism

in: Moreman, Christopher M. and Rushton, Cory J., eds. Race, Oppression and the Zombie: Essays on Cross-Cultural Appropriations of the Caribbean Tradition. Jefferson, NC: McFarland, 2011. p. 177-190.

Zukunft im Rueckspiegel: Mythos, Religion und Wissenschaft in Peter Ackroyds The Plato Papers

in: Petzold, Dieter, ed. Inklings: Jahrbuch fur Literature und Asthetik, BAND 22, 2004. Moers: Brendow Verlag, 2004. p. 154-169.

“How to Win the Cold War − Borders of the Free World in Guilty of Treason (1950) and Red Planet Mars” (1952)

n: Merivirta, Raita; Ahonen, Kimmo; Mulari, Heta. and Mähkä, Rami, eds. Frontiers of Screen History: Imagining European Borders in Cinema, 1945–2010. Bristol: Intellect, 2013. p. 91−112.

“Letting that Belief Be Real Enough”: Shepherd Book as the Embodiment of Religious Non-Realism in the Whedonverse

Slayage: The Journal of Whedon Studies 13(2): [24 p.]. Summer 2015. (No. 42) (http://www.whedonstudies.tv) Accessed 18.January.2016.

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