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"Can I Spend the Night / Alone?": Segments and Connections in "Conversations with Dead People"

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 70-83.

"Enough of the Action, Let's Get Back to Dancing": Joss Whedon Directs Angel

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 119-133.

"Get a Pic! Do a Blog!": Multimodality in the Joss Whedon Classroom.

In: Time Lords & Tribbles, Winchesters & Muggles: The DePaul Pop Culture Conference, A Five-year Retrospective, ed. Paul Booth and Isabella Menichiello. Private printing, 2017. pp. 103-107.

"Hey, Respect the Narrative Flow Much?" Problematic Storytelling in Buffy the Vampire Slayer

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 84-98.

"Hot Chicks with Superpowers": the Contested Feminism of Joss Whedon

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 356-370.

"I have no speech, no name": The Denial of Female Agency Through Speech in Buffy the Vampire Slayer

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 51-71.

"I Love Him ... Is That Real?": Interrogating Romance through Victor and Sierra

in: Ginn, Sherry, Buckman, Alyson R., and Porter, Heather M., eds. Joss Whedon’s Dollhouse: Confounding Purpose. Lanham: Rowman and Littlefield, 2014. p. 127-140.

"I Possess the Means to Satisfy My Vagaries": What Motivates the Dollhouse Clients?

in: Ginn, Sherry, Buckman, Alyson R., and Porter, Heather M., eds. Joss Whedon’s Dollhouse: Confounding Purpose. Lanham: Rowman and Littlefield, 2014. p. 97-110.

"I'd Very Still": Anthropology of a Lapsed Fan

in: Money, Mary A., ed. Joss Whedon: the Complete Companion : the TV Series, the Movies, the Comic Books and More. London: Titan, 2012. p. 126-134.

"I've Watched You Build Yourself from Scratch": The Assemblage of Echo

in: Ginn, Sherry, Buckman, Alyson R., and Porter, Heather M., eds. Joss Whedon’s Dollhouse: Confounding Purpose. Lanham: Rowman and Littlefield, 2014. p. 3-20.

"In My House and Therefore in My Care": Transgressive Mothering, Abuse, and Embodiment

in: Ginn, Sherry, Buckman, Alyson R., and Porter, Heather M., eds. Joss Whedon’s Dollhouse: Confounding Purpose. Lanham: Rowman and Littlefield, 2014. p. 81-96.

"It's Like Some Primal, Some Animal Force . . . That Used to Be Us": Animality, Humanity, and Moral Careers in the Buffyverse

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 53-69.

"l'm sorry I ... ended the world": EschatoIogy, NihiIism and Hope in The Cabin in the Woods

in: Mills, Anthony R., Morehead, John W. and Parker, J. Ryan, eds. Joss Whedon and Religion: Essays on an Angry Atheist's Explorations of the Sacred. Jefferson, NC: McFarland, 2013. p. 213-226.

"Let it simmer": Tonal Shifts in "Pangs"

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 108-124.

"Memory itself guarantees nothing": Dollhouse, Witnessing and "the jews"

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 233-249.

"Men were deceivers ever": Of Shakespeare and Superheroes.

In: Time Lords & Tribbles, Winchesters & Muggles: The DePaul Pop Culture Conference, A Five-year Retrospective, ed. Paul Booth and Isabella Menichiello. Private printing, 2017. pp. 96-99.

"Note to Self, Religion Freaky"'; When Buffy Met Biblical Studies

in: Money, Mary A., ed. Joss Whedon: the Complete Companion : the TV Series, the Movies, the Comic Books and More. London: Titan, 2012. p. 37-48

"Oh ... My ... Goddess"; Witchcraft, Magick and Thealogy in Buffy the Vampire SLayer

in: Mills, Anthony R., Morehead, John W. and Parker, J. Ryan, eds. Joss Whedon and Religion: Essays on an Angry Atheist's Explorations of the Sacred. Jefferson, NC: McFarland, 2013. p. 51-66.

"The black chick always gets it first": Black Slayers in Sunnydale

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 37-50.

"The Shell I'm In": Illyria and Monstrous Embodiment

in: Money, Mary A., ed. Joss Whedon: the Complete Companion : the TV Series, the Movies, the Comic Books and More. London: Titan, 2012. p. 181-190.

"The Strength and Conviction to Lose So Relentlessly": Heroism in Angel

in: Money, Mary A., ed. Joss Whedon: the Complete Companion : the TV Series, the Movies, the Comic Books and More. London: Titan, 2012. p. 213-291.

"There Is No Me; I'm Just a Container": Law and the Loss of Personhood in Dollhouse

in: Wilcox, Rhonda V., et al, eds. Reading Joss Whedon edited. Syracuse, NY: Syracuse University Press, 2014. p. 221-233.

"There's no pIace I can be": Whedon, Augustine and the Earthly City

in: Mills, Anthony R., Morehead, John W. and Parker, J. Ryan, eds. Joss Whedon and Religion: Essays on an Angry Atheist's Explorations of the Sacred. Jefferson, NC: McFarland, 2013. p. 152-164

"They teach you that in Whore Academy?" A Quantitative Examination of Sex and Sex Workers in Joss Whedon's Firefly and Dollhouse

in: Ginn, Sherry and Cornelius, Michael, eds. The Sex is Out of This World: Essays on the Carnal Side of Science Fiction. Jefferson, NC: McFarland, 2012. p. 86-101.

"Touch Me and Die, Vermin!": The Psychoanalysis of Illyria

in: Money, Mary A., ed. Joss Whedon: the Complete Companion : the TV Series, the Movies, the Comic Books and More. London: Titan, 2012. p. 199-205.

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