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Concrete Dystopia: Slavery and Its Others

in: Baccolini, Raffaella and Moylan, Tom, eds. Dark Horizons: Science Fiction and the Dystopian Imagination. New York: Routledge, 2003. p. 203-224.

From Slavery to Freedom in a Galaxy Far, Far Away

in: Reagin, Nancy R. and Liedl, Janice, eds. Star wars and History. Hoboken, NJ: Wiley, 2013. p. 2229-254.

Hermione and the House-Elves Revisited: J. K. Rowling, Antislavery Campaigning, and the Politics of Potter,

in: Anatol, Giselle L., ed. Reading Harry Potter Again: New Critical Essays. Santa Barbara, CA: Praeger, 2009. p. 159-173.

Obsidian Mine: The Psychic Aftermath of Slavery

American Literary History 24(4): 686-701. Winter 2012.

Octavia Butler's Novels of Enslavement

Novel: A Forum on Fiction 46(3): 345-363. Fall 2013.

Programming Slavery: Race, Technology and the Quest for Freedom in Dollhouse

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 215-232.

Slavery

in: Westfahl, Gary, ed. The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders. Westport, CT: Greenwood, 2005. p. 724-726.

Speculative Fictions of Slavery

American Literature 82(4):779-805. December 2010.

The African American Slave Narrative and the Gothic

in: Crowe, Charles L., ed. A Companion to American Gothic. Hoboken: John Wiley 2014. p. 71-83.

The Peculiar Institution: The Depiction of Slavery in Steven Barnes' Lion's Blood and Zulu Heart,

in: Conyers, James L., Jr. and Pitre, Abdul, eds. Africana Islamic Studies. Lanham: Lexington Books, 2016. p. 111-116.

The Problem of Slavery in Harry Potter

in: Hrezo, Margaret S. and Parrish, John M., eds. Damned If You Do: Dilemmas of Action in Literature and Popular Culture. Lanham: Lexington Books, 2010. p. 137-161.

“She Would Be No Man’s Property Ever Again”: Vampirism, Slavery, and Black Female Heroism in Contemporary African American Women’s Fiction

in: Brodman, Barbara and Doan, James E., eds. Images of the Modern Vampire: The Hip and the Atavistic. Madison, NJ: Fairleigh Dickinson, 2013. p. 113-127.

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