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Open Book

Starlog 307: 42-45. February 2003.

Palimpsestic Orientalisms and Antiblackness; or,Joss Whedon's Grand Vision of an Asian/American Tomorrow

in: Roh, David S., Huang, Betsy and Niu Greta A., eds. Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media. New Brunswick, NJ: Rutgers University Press, 2015. p. 180-192.

Politics of Loss: The Historical World, "the Right Thing to Do," and a Utopian Community in Firefly

in: Goodrum, Michael and Smith, Philip, eds. Firefly Revisited: Essays on Joss Whedon's Classic Series. Lanham: Rowman and Littlefield, 2015. p. 85-100.

Post-Apocalyptic Inequalities: Race, Class, Gender, and Sexualities in Firefly

in: Gurr, Barbara, ed. Race, Gender, and Sexuality in Post-Apocalyptic TV and Film. New York: Palgrave Macmillan, 2015. p. 71-83.

Problematic Space Cowboys

Askance No.31: 12-15. May, 2014.

Race, Space and the (De)Construction of Neocolonial Difference in Firefly/Serenity

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 169-183.

Reavers and Redskins: Creating the Frontier Savage,

in: Wilcox, Rhonda V., and Cochran, Tanya R.,eds. Investigating Firefly and Serenity: Science Fiction on the Frontier. New York: I. B. Taurus, 2008. p. 127-138.

Remapping the Feminine in Joss Whedon's Firefly,

in: Geraghty, Lincoln, ed. Channeling the Future: Essays on Science Fiction and Fantasy Television. Lanham, MD: Scarecrow, 2009. p. 183-197.

Representing the Future: Chinese and Codeswitching in Firefly,

in: Wilcox, Rhonda V., and Cochran, Tanya R.,eds. Investigating Firefly and Serenity: Science Fiction on the Frontier. New York: I. B. Taurus, 2008. p. 31-40.

River Tam as Schizoanalysand in Joss Whedon’s Firefly Narratives

Slayage 12(2)/13(1): [14 p.]. Winter 2014/Spring 2015. (No. 40/41)

Security or Freedom: Joss Whedon's Science Fiction Westerns, Firefly and Serentity

in: Stoddart, Scott F., ed. The New Western: Critical Essays on the Genre Since 9/11. Jefferson, NC: McFarland, 2016. p. 137-158.

Serenity and Bobby McGee: Freedom and the Illusion of Freedom in Joss Whedon’s Firefly

in: Espenson, Jane/Yeffeth, Glenn, eds. Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly. Dallas, TX: Benbella Books, 2004. p. 63-74.

Serenity Now!

Cinefantastique 37(7/8): 62-73. September/October 2005.

Serenity, Cinematisation and the Perils of Adaptation,

Science Fiction Film and Television 1(1): 67-80. Spring 2008.

Shepherd Book, Malcolm Reynolds, and the Dao of Firefly

in: Kowalski, Dean A. and Kreider, S. Evan, eds. The Philosophy of Joss Whedon. Lexington: University Press of Kentucky, 2011. p. 194-207.

Speaking Chinese: Music and the Exotic in Firefly

in: Goodrum, Michael and Smith, Philip, eds. Firefly Revisited: Essays on Joss Whedon's Classic Series. Lanham: Rowman and Littlefield, 2015. p. 101-120.

Stagecoach in Space: The Legacy of Firefly

Extrapolation 47(2): 249-258. Summer 2006. (Reprinted in: Hassler, Donald M./Wilcox, Clyde, eds. New Boundaries in Political Science Fiction. Columbia, SC: University of South Carolina Press, 2008. p. 223-233.

Star Truck

in: Espenson, Jane/Yeffeth, Glenn, eds. Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly. Dallas, TX: Benbella Books, 2004. p. 183-196.

Still flyin'?: Conventions, Reversals, and Musical Meaning in Firefly

in: Leonard, Kendra P., ed. Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Lanham, MD: Scarecrow Press, 2011. p. 209-242.

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