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"I barely feel human anymore": Project Alice and the Posthuman in the Films

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 201-215.

"My name is Alice and I remember everything!" Surviving Sexual Abuse in the Resident Evil Films

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 99-116.

"Six Impossible Things Before Breakfast": Living Memory and Undead History

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 216-234.

Chris Redfield and the Curious Case of Wesker's Sunglasses

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 135-149.

From Necromancy to the Necrotrophic: Resident Evil's Influence on the Zombie Origin Shift from Supernatural to Science

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 7-18.

Geschlechteraspekte in RESIDENT EVIL

in: Furst, Michael, ed. Untot: Zombie, Film, Theorie. M√ľnchen : Belleville, 2011. p. 153-162.

Opening Doors: Art-Horror and Agency

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 45-61.

Resident Evil (Review)

Interzone No. 182: 36. September 2002.

Resident Evil? The Limits of European Horror: Resident Evil versus Suspiria

in: Allmer, Patricia; Huxley, David; and Brick, Emily, eds. European Nightmares: Horror Cinema in Europe Since 1945. New York: Wallflower, 2012. p. 13-24.

Survival and System in Resident Evil (2002): Remembering, Repeating and Working-Through

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 19-33.

Thank You for Making Me Human Again: Alice and the Teaching of Scientific Ethics

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 167-185.

The Strong, Silent Type: Alice's Use of Rhetorical Silence asFeminist Strategy

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 80-98.

The Woman in the Red Dress: Sexuality, Femmes Fatales, the Gaze and Ada Wong

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 117-134.

Through the Looking-Glass: Interrogating the "Alice-ness" of Alice

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 150-166.

Why They Keep Coming Back: The Allure of Incongruity

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 34-44.

Woman as Evolution: The Feminist Promise of the Resident Evil Film Series

in: Gurr, Barbara, ed. Race, Gender, and Sexuality in Post-Apocalyptic TV and Film. New York: Palgrave Macmillan, 2015. p. 99-112.

Zombies, Cyborgs and Wheelchairs: The Question of Normalcy Within Diseased and Disabled Bodies

in: Farghaly, Nadine , ed. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. Jefferson, NC: McFarland, 2014. p. 186-200.

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