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"'Twas in the darkest depths of Mordor. . ." Phanrastisches Erzahlen in der Rockmusik

in: Petzold, Dieter, ed. Inklings: Jahrbuch fur Literature und Asthetik; Geister: Einblicke in das Unsichtbare Internationale Symposium 1. bis 3. Mai 2015 in Leipzig, Band 33, 2015. Frankfurt: Peter Lang, 2015. p. 179-200.

'Into the Woods' Musical Departure

Austin (TX) American Statesman July 13, 1991. in: NewsBank. Names in the News 98:C13. 1991.

'My Boyfriend's in the Band': Buffy and the Rhetoric of Music

in: Wilcox, Rhonda V. and Lavery, David, eds. Fighting the Forces: What's at Stake in Buffy the Vampire Slayer? Lanham: Rowman & Littlefield, 2002. p. 218-226.

'Strangers No More, We Sing' : Filking and the Social Construction of the Science Fiction Fan Community

in: Lewis, Lesa A., ed. The Adoring Audience: Fan Culture and Popular Media. London: Routledge, 1992. p. 208-236.

A Comment About the Utopian Character of the Afro-American Blues

in: Saccaro Del Buffa, Giuseppa and Lewis, Arthur O., eds. Utopia e Modernita: Teorie e prassi utopiche nell'eta moderna e postmoderna. Rome: Gangemi Editore, 1989. pp.1013-1018.

A Dance with Futuristic Dragons: The Science-Fantasy Glamour of Marc Bolan and T. Rex

Clarkesworld Magazine No. 111, December 2015. (http://clarkesworldmagazine.com/heller_12_15/) Accessed 19.January.2016.

A Design for Social Living: Sound System Culture from JA to UK,

in: MacPherson, Pauline, et al, eds. Sub/versions: Cultural Status, Genre and Critique. Newcastle, UK: Cambridge Scholars Publishing, 2008. p. 165-176.

A Familiar Sound in a New Place: The Use of the Musical Score Within the Science Fiction Film

in: Bartkowiak, Mathew J., ed. Sounds of the Future: Essays on Music in Science Fiction Film. Jefferson, NC: McFarland, 2010. p. 10-21.

A Few Thoughts on the Steampunk Musical Elements

in: Teague, Gypsey E., ed. Presentations of the 2010 Upstate Steampunk Extravaganza and Meetup. Newcastle: Cambridge Scholars Publishing, 2011. p. 131-134.

A Popular Avant-Garde: The Paradoxical Tradition of Electronic and Atonal Sounds in Sci-Fi Music Scoring

in: Bartkowiak, Mathew J., ed. Sounds of the Future: Essays on Music in Science Fiction Film. Jefferson, NC: McFarland, 2010. p. 22-43

A Practical Guide to Re-Hearing 2001

New York Review of Science Fiction No. 139: 10-14. March 2000.

A Speculative History of the Music of Arda

in: Steimel, Heidi and Schneidewind, Friedhelm, eds. Music in Middle-earth. Zurich: Walking Tree, 2010. p. 75-90.

A Sweet Vamp : Critiquing the Treatment of Race in Buffy and the American Musical Once More (With Feeling)

in: Leonard, Kendra P., ed. Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Lanham, MD: Scarecrow Press, 2011. p. 119-132.

A Symphony of Psychology: The Music of Star Wars

in: Langley, Travis, ed. Star Wars Psychology: Dark Side of the Mind. New York: Sterling, 2015. p. 244-255.

AEfre me strongode longao: Songs of Exile in the Mortal Realms,

in: Eden, Bradford L., ed. Middle-earth Minstrel: Essays on Music in Tolkien. Jefferson, NC: McFarland, 2010. p. 47-60.

Afrofuturism's Musical Princess Janelle Mamie: Psychedelic Soul Message Music Infused with a Sci-Fi Twist

in: Anderson, Reynaldo and Jones, Charles E., eds. Afrofuturism 2.0; The Rise of Astro-Blackness. Lanham: Lexington, 2016. p. 91-108.

Afterword Afterword : Evelyn Evelyn

in: Gaiman, Neil. The View From the Cheap Seats: Selected Non-Fiction. New York: Morrow, 2016. p. 415-418.

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