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Afterword Afterword : Evelyn Evelyn

in: Gaiman, Neil. The View From the Cheap Seats: Selected Non-Fiction. New York: Morrow, 2016. p. 415-418.

Ainulindale: Tolkien, St. Thomas, and the Metaphysics of the Music

in: Steimel, Heidi and Schneidewind, Friedhelm, eds. Music in Middle-earth. Zurich: Walking Tree, 2010. p. 53-74.

Alan Garner: Librettist

Labrys No. 7: 129-132. November 1981.

Aldous Huxley's Philosophical Approach to Language in Music at Night,

in: Nugel, Bernfried, Uwe Rasch and Gerhard Wagner, eds. Aldous Huxley, Man of Letters: Thinker, Critic and Artist. Muenster: LIT, 2007. p. 25-30.

All of the Filkers are Singing

Starlog 54: 23-24. January 1982.

Ambient Reverberations: Diegetic Music, Science Fiction, and Otherness

in: Bartkowiak, Mathew J., ed. Sounds of the Future: Essays on Music in Science Fiction Film. Jefferson, NC: McFarland, 2010. p. 88-99.

An Impenetrable Darkness: An Examination of the Influence of J. R. R. Tolkien on Black Metal Music

in: Steimel, Heidi and Schneidewind, Friedhelm, eds. Music in Middle-earth. Zurich: Walking Tree, 2010. p. 215-240.

An Invisible Man

Starlog 10: 63. December 1977.

And the Rest is Silence: Silence and Death as Motifs in Buffy the Vampire Slayer

in: Attinello, Paul, Halfyard, Janet K. and Knights, Vanessa, eds. Music, Sound, and Silence in Buffy the Vampire Slayer. Farnham, UK: Ashgate, 2010. p. 91-108.

Angel's narrative score

in: Leonard, Kendra P., ed. Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Lanham, MD: Scarecrow Press, 2011. p. 173-208.

Another Word: The Depth of Sci-Fi Funk in the '70s

Clarkesworld Magazine No. 129, June 2017. (http://clarkesworldmagazine.com/another_word_06_17/) Accessed 15.August.2017

Anthems away

Locus 14(1):13. February 1981.

Anthony Burgess: A Choral Composer,

in: Roughley, Alan R., ed. Anthony Burgess and Modernity. Manchester, UK: Manchester University Press, 2008. p. 109-127.

Apocalypticism in American Folk Music,

in: Hart, Kylo-Patrick and Holba, Annette M, eds. Media and the Apocalypse. New York: Peter Lang, 2009. p. 17-34.

Appendix: A Bat-Discography

in: Beard, Jim, ed. Gotham City 14 Miles: 14 Essays on Why the 1960s Batman TV Series Matters. Edwardsville, IL: Sequart Research and Literacy Organization, 2010. p. 276-284.

Award-Winning Score Has Viewers Humming Along with the Movie

The Digital Collegian. February 21, 1997. 3pp. (Cited from the on-line edition, http://collegian.psu.edu/archive/1997/)

Babylon 5: Music

Cinefantastique 31(12)-32(1): 68. June 2000.

Babylon 5: Science Fiction, Melodrama, and Musical Style

in: Donnelly, K. J. and Hayward, Philip, eds. Music in Science Fiction Television: Tuned to the Future. Independence, KY: Taylor and Francis, 2012. p. 151-162.

Back to the Future: Great Science Fiction Film Themes

Holland: Star Music, 1995. one compact disc, 35 minutes.

Bad Shorts: Starwars

Bad Subjects No. 31: [9 p.] March 1997.

Batman: Batmusic

Cinefantastique 24(6)/25(1): 37, 61. February 1994.

Batman: Composing Music for Animation

Cinefantastique 24(6)/25(1): 108-110. February 1994.

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