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Battlefield Earth music released

Science Fiction Chronicle 4(7):4-5. April 1983.

Battling the Buzz: Contesting Sonic Codes in Buffy the Vampire Slayer

in: Attinello, Paul, Halfyard, Janet K. and Knights, Vanessa, eds. Music, Sound, and Silence in Buffy the Vampire Slayer. Farnham, UK: Ashgate, 2010. p. 79-90.

Bay City Rollers. Now That's Music: Music as Cultural Code in Buffy the Vampire Slayer

in: Attinello, Paul, Halfyard, Janet K. and Knights, Vanessa, eds. Music, Sound, and Silence in Buffy the Vampire Slayer. Farnham, UK: Ashgate, 2010. p. 1-12.

Behold Your Music!: The Themes of I1uvatar, the Song of Aslan, and the Real Music of the Spheres

in: Steimel, Heidi and Schneidewind, Friedhelm, eds. Music in Middle-earth. Zurich: Walking Tree, 2010. p. 11-28.

Bela Lugosi's Dead, But Vampire Music Stalks the Airwaves

in: Holte, James C., ed. The Fantastic Vampire: Studies in the Children of the Night: Selected Essays from the Eighteenth Conference on the Fantastic in the Arts. Westport, CT: Greenwood, 1997. p. 58-68.

Between harmony and chaos: poetry and Music in Ann Radcliffe's The Mysteries of Udolpho

in: Lipski, Jakub and Mydia, Jacek, eds. The Enchantress of Words, Sounds and Images : Anniversary Essays on Ann Radcliffe (1764-1823). Palo Alto, CA: Academia Press, 2015. p. 53-70.

Between Prosaic Functionalism and Sublime Experimentation: Doctor Who and Musical Sound Design,

in: Butler, David, ed. Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who. Manchester, UK: Manchester University Press, 2007. p. 190-203.

Beyond the Beep: Techniques and Styles of Video Game Music,

Strange Horizons [9 p.] December 1, 2008. (http://www.strangehorizons.com)

Bring Out the Instruments!: Instrumental Music in Middle-earth

in: Steimel, Heidi and Schneidewind, Friedhelm, eds. Music in Middle-earth. Zurich: Walking Tree, 2010. p. 91-106.

Bronze Things; Things of Bronze: Popular Music Cultures in Buffy the Vampire Slayer

in: Attinello, Paul, Halfyard, Janet K. and Knights, Vanessa, eds. Music, Sound, and Silence in Buffy the Vampire Slayer. Farnham, UK: Ashgate, 2010. p. 111-130.

Browsing the Suggestive Catalogue: Music in Modern Fantasy Films,

in: Christensen, Jorgen R. Marvellous Fantasy. Aalborg, Denmark: Aalborg University Press, 2009. p. 221-230.

Can't Sleep When You're Dead: Sex, Drugs, Rock and Roll, and the Undead in Psychobilly

in: McIntosh; Shawn/Leverette, Marc, eds. Zombie Culture: Autopsies of the Living Dead. Lanham, Md.: Scarecrow Press, 2008. p. 135-152.

Composer of the Fantastic

Starlog 172: 56-60, 72. November 1991

Concealing Truths : Rhetorical Questions in Once More, With Feeling

in: Leonard, Kendra P., ed. Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Lanham, MD: Scarecrow Press, 2011. p. 133-154.

Constructing Myth in Music: Heather Dale, King Arthur and "Culhwch and Olwen"

in: Becker, Audrey L. and Noone, Kristin, eds. Welsh Mythology and Folklore in Popular Culture. Jefferson, NC: McFarland, 2011. p. 130-139.

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