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Curious Wine: Tori Amos II

in: Gaiman, Neil. The View From the Cheap Seats: Selected Non-Fiction. New York: Morrow, 2016. p. 391-393.

Customer Relationship Management: Automating Fandom in Music Communities,

in: Gray, Jonathan, Sandvoss, Cornel, and Harrington, C. Lee, eds. Fandom: Identities and Communities in a Mediated World. New York: New York University Press, 2007. p. 261-270.

Dark Matters: Mapping Science Fiction on the Extreme Metal Continuum

Journal of the Fantastic in the Arts 24(2): 289-309. 2013.

Das Lied bin ich: Lieder, Poesie und Musik in J.R.R. Tolkiens Mittelerde-Mythologie

in: Fornet-Ponse, Thomas, ed. Tolkiens Weltbild(er). Bonn: Scriptorium Oxoniae, 2005. p. 105-136. (Hither Shore: Interdisiplinary Journal on Modern Fantasy, Band 2)

Die unterschaetzten Gefahren der Elektrizitaet. Robert Calvert: SF-Dichter und –Performer,

in: Mamczak, Sascha and Jeschke, Wolfgang, eds. Das Science Fiction Jahr, 2007. Munchen: Heyne, 2007. p. 973-996.

Difficult Rhythm: Music and the Word in E.M. Forster

Urbana: University of Illinois Press, 2011. 196 p.

Disharmony and dystopia: music in classic dystopian fiction

in: Schmeink, Lars and Boger, Astrid, eds. Collision of Realities: Establishing Research on the Fantastic in Europe. Boston: De Gruyter, 2012. p. 285-294.

Dissonance in the Divine Theme: The Issue of Free Will in Tolkien's Silmarillion,

in: Eden, Bradford L., ed. Middle-earth Minstrel: Essays on Music in Tolkien. Jefferson, NC: McFarland, 2010. p. 102-113.

Distant Lands of Danger and Pleasure: Musical Exotica as Devices for Feminization in Xena: Warrior Princess,

in: Christensen, Jorgen R. Marvellous Fantasy. Aalborg, Denmark: Aalborg University Press, 2009. p. 221-230.

Easy to Associate Angsty Lyrics with Buffy: An Introduction to a Participatory Fan Culture: Buffy the Vampire Slayer Vidders, Popular Music, and the Internet,

in: Kirby-Diaz, Mary, ed. Buffy and Angel Conquer the Internet: Essays on Online Fandom. Jefferson, NC: McFarland, 2009. p. 172-196.

Echoes of Influence: Music, Social Power, and the Law in Speculative Fiction

Journal of the Fantastic in the Arts 17(4): 321-333. Winter 2007

Ein kleines Lexikon der Musik in Mittelerde.

in: Bidlo, Oliver, Eilmann, Julian, and Weinreich, Frank, eds. Zwischen den Spiegeln: neue Perspektiven auf die Phantastik. Essen: Oldib-Verlag, 2011. p. 108-116.

Elven Lays and Power Chords: Chaos, Revelry, and Community in Tolkien-Themed Heavy Metal,

Strange Horizons [11 p.] January 12, 2009. (http://www.strangehorizons.com/)

Elven Music in Our Times

in: Steimel, Heidi and Schneidewind, Friedhelm, eds. Music in Middle-earth. Zurich: Walking Tree, 2010. p. 255-282.

Embodying the Voices: Documentation of a Failure

in: Steimel, Heidi and Schneidewind, Friedhelm, eds. Music in Middle-earth. Zurich: Walking Tree, 2010. p. 303-308.

Endnotes

Sight and Sound 4(6): 71. June 1994.

Entropie-Tango. Michael Moorcock und die Musik,

in: Mamczak, Sascha and Jeschke, Wolfgang, eds. Das Science Fiction Jahr, 2008. Munchen: Heyne, 2008. p. 1069-1098.

Fantasy and Horror in Music: 2004

in: Datlow, Ellen, et. al, eds. The Year's Best Fantasy and Horror: Eighteenth Annual Collection. New York: St. Martin's, 2005. p. cxvii-cxxiii.

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