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Fantasy film, radio and television, October (1) 1950

Fantasy Times No. 115:4. October (1) 1950.

Feature 101: Sound Studies 101

SFRA Review No. 305: 15-19. Summer 2013.

Film Music

Cinefantastique 20(1/2):109, 129. November 1989.

Finding the Milieu of the Spider-Man Music LPs

in: Peaslee, Robert M. and Weiner, Robert G., eds. Web-spinning heroics: critical essays on the history and meaning of Spider-Man. Jefferson, NC: McFarland, 2012. p. 222-233.

Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants

in: Gaiman, Neil. The View From the Cheap Seats: Selected Non-Fiction. New York: Morrow, 2016. p. 394-396.

Flying saucers rock and roll: SF in rock music

Locus No. 122:6. September 16, 1972.

From "Space Oddity" to Canadian Reality

in: Weiss, Allan, ed. The Canadian Fantastic in Focus: New Perspectivs. Jefferson, NC: McFarland, 2015. p. 212-223.

From Mann to Modernity: Anthony Burgess and the Intersection of Music and Literature,

in: Roughley, Alan R., ed. Anthony Burgess and Modernity. Manchester, UK: Manchester University Press, 2008. p. 95-108.

Further Notes on Lovecraft and Music

Romanticist No. 4/5: 47-49. 1980/81. Reprinted in: Joshi, S. T., ed. Lovecraft and a World in Transition: Collected Essays on H. P. Lovecraft. New York: Hippocampus, 2014. p. 22-26.

Future Legends: David Bowie and Science Fiction

in: Morrison, Michael A., ed. Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts. Westport, CT: Greenwood, 1997. pp.129-138.

Futurist Literature Spawns New Genre of Music, Art

San Francisco Chronicle p. E11. December 7, 1990.

Galaxy of space music

Music Journal 27(1):48. January 1969.

Giorgio Moroder Scores a Silent Classic

Los Angeles Herald Examiner August 16, 1984. in: NewsBank. Film and Television FTV 26:E10-E11. 1984.

Give Me Something to Sing About: Intertextuality and the Audience in Once More, with Feeling

in: Attinello, Paul, Halfyard, Janet K. and Knights, Vanessa, eds. Music, Sound, and Silence in Buffy the Vampire Slayer. Farnham, UK: Ashgate, 2010. p. 209-234.

Gods Amongst Us/Gods Within: The Black Metal Aesthetic,

in: Haslem, Wendy, Ndalianis, Angela and Mackie, Chris, eds. Super/Heroes: From Hercules to Superman. Washington, DC: New Academia Publishing, 2007. p. 211-222.

Got Filk? Lament for Apollo in Modern Science Fiction Folk Music

in: 55th International Austronautical Congress, 2004, October 4-8, 2004, Vancouver, Canada. s.l.: International Astronautical Congress, 2005. p. 1-11. ( Also in Quest 12(4): 6-14. 2005)

Halo and Music

in: Cuddy, Luke, ed. Halo and Philosophy: Intellect Evolved. Chicago: Open Court, 2011. p. 61-70.

Hearing Deep Seated Fears: John Carpenter's The Fog (1980),

in: Lerner, Neil, ed. Music in the Horror Film: Listening to Fear. New York: Routledge, 2010. p. 152-167.

Hearing the Boldly Goings: Tracking the Title Themes of the Star Trek Television Franchise, 1966–2005

in: Donnelly, K. J. and Hayward, Philip, eds. Music in Science Fiction Television: Tuned to the Future. Independence, KY: Taylor and Francis, 2012. p. 52-71.

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