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'A strange kind of evil': superficial paganism and false ecology in The Wicker Man

in: Smith, Andrew and Hughes, William, eds. EcoGothic. Manchester, UK: Manchester University Press, 2013. p. 68-71.

'Everything's interconnected': anarchy, ecology and sexuality in Lost Girls and Swamp Thing

in: Roberts, Jude and MacCallum-Stewart, Esther, eds. Gender and Sexuality in Contemporary Popular Fantasy: Beyond Boy Wizards and Kick-ass Chicks. New York: Routledge, 2016. p. 97-116.

'The blank darkness outside': Ambrose Bierce and wilderness Gothic at the end of the frontier

in: Smith, Andrew and Hughes, William, eds. EcoGothic. Manchester, UK: Manchester University Press, 2013. p. 120-133.

'Uncanny states': global ecoGothic and the world-ecology in Rana Dasgupta's Tokyo Cancelled

in: Smith, Andrew and Hughes, William, eds. EcoGothic. Manchester, UK: Manchester University Press, 2013. p. 177-194.

A Blueprint for Destruction: Eco-Activism in Doctor Who during the 1970s

Ecozon@: European Journal of Literature, Culture and Environment 3 (2): 11-26. 2012.

A Gothic apocalypse: encountering the monstrous in American cinema

in: Smith, Andrew and Hughes, William, eds. EcoGothic. Manchester, UK: Manchester University Press, 2013. p. 147-159.

A Gothic polities: Alan Moore's Swamp Thing and radical ecology

in: Green, Matthew A. J., ed. Alan Moore and the Gothic Tradition. Manchester, UK: Manchester University Press, 2013. p. 42-62.

Afterword: Still, I’m Reluctant to Call This Pessimism

in: Canavan, Gerry and Robinson, Kim Stanley, eds. Green Planets: Ecology and Science Fiction. Middletown, CT: Wesleyan University Press, 2014. p. 243-260.

Afterword: the utopian dreaming of modernity and its ecological cost

Green Letters: Studies in Ecocriticism 17(3): 281-294. 2013.

Algernon Blackwood: nature and spirit

in: Smith, Andrew and Hughes, William, eds. EcoGothic. Manchester, UK: Manchester University Press, 2013. p. 44-67.

Alien Ecologies

in: Wingrove, David, ed. The Science Fiction Source Book. New York: Van Nostrand, 1984. pp. 56-57.

An Ecological Ideology: The Specter of Ecological Discourse in The Food of the Gods

The Undying Fire: The Journal of the H. G. Wells Society, The Americas. No. 1: 65-75. 2002.

Analyse umweltpaedagogischer Intentionen in der Science Fiction Literatur

Duesseldorf: Zenon, 1991. 315 p. (Based on the author's Doctoral dissertation, Universitaet Duesseldorf, 1991.)

Banishing the Machine in the Garden: Ecology and Evolution in Dan Simmons’s Hyperion Cantos

in: Morse, Donald E., ed. Anatomy of Science Fiction. Newcastle, UK: Cambridge Scholar’s Press, 2006. p. 146-163.

Biology, Ecology, Xenology

in: Ellison, Harlan, ed. Medea. New York: Bantam, 1985. pp. 28-33.

Biotic Invasions: Ecological Imperialism in New Wave Science Fiction

The Yearbook of English Studies 37(2): 103-119. July 1, 2007. in: Canavan, Gerry and Robinson, Kim Stanley, eds. Green Planets: Ecology and Science Fiction. Middletown, CT: Wesleyan University Press, 2014. p. 77-95. in: Latham, Rob, ed. Science Fiction Criticism: An Anthology of Essential Writings. New York: Bloomsbury, 2017. p. 487-502.

Blockbuster Pastoral: An Ecocritical Reading of Peter Jackson’s The Lord of the Rings Films

in: Lam, Adam and Oryshchuk, Nataliya, ed. How We Became Middle-earth: A Collection of Essays on The Lord of the Rings. Zollikofen, SW: Learning Tree, 2007. p. 185-196.

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