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Daring Creation: Mary Shelley’s Frankenstein

in: Fisher, Jerilyn and Silber, Ellen S., eds. Women in Literature: Reading Through the Lens of Gender. Westport, CT: Greenwood, 2003. p. 112-114.

Death and Birth in Frankenstein

in: Stuprich, Michael, ed. Horror. San Diego, CA: Greenhaven Press, 2001. p. 119-125.

Devilish Deviance: The Monster's Fall in Mary Shelley's "Frankenstein"

Master's Thesis, Southern Connecticut State University, 1998. 93 p. (MAI 37(1), p. 71, February 1999)

Did You Get Mathilda from Papa?: Seduction Fantasy and the Circulation of Mary Shelley's Mathilda

in: Lowe-Evans, Mary, ed. Critical Essays on Mary Wollstonecraft Shelley. New York: G. K. Hall, 1998. pp. 101-117.

Discourse Excellent Music”: Romantic Rhetoric and Ecofeminism in Mary Shelley’s The Last Man

in: Vakoch, Douglas A.; Adams, Vicky L.; and Sullivan, Marnie M., eds. Feminist Ecocriticism: Environment, Women, and Literature. Blue Ridge Summit, PA: Lexington Books, 2012. p. 105-122.

Do You Share My Madness? Frankenstein's Queer Gothic,

in:Hughes, William and Smith, Andrew, eds. Queering the Gothic. Manchester, UK: Manchester University Press, 2009. p. 36-54.

Don't Say 'I Love You': Agency, Gender, and Romanticism in Mary Shelley's Matilda

in: Eberle-Sinatra, Michael, ed. Mary Shelley's Fictions: From Frankenstein to Falkner. London: Macmillan, 2000/New York: St. Martin's, 2000. p. 57-74.

Double or Phantom? Transgenerational Haunting in Mary Shelley's Frankenstein

New York Review of Science Fiction 17(12): 16-19. August, 2005. (No. 204)

Dream of a New Life: Stephen King's Pet Sematary as a Variant of Frankenstein

in: Hoppenstand, Gary, ed. The Gothic World of Stephen King. Bowling Green, OH: Popular Press, 1987. pp.115-125.

Dreams and doctrines: dual strands in Frankenstein

Science-Fiction Studies 2(2):103-112. July 1975.

Early Electromedicine and the Frankenstein Myth

Medical Instrumentation 12(4): 248. July/August 1978.

Education as a Pharmakon in Mary Shelley's FRANKENSTEIN

Explicator 68(4): 223-226. October/December 2010.

Embodied Settings in Frankenstein

Science Fiction Studies 32(3): 548. November 2005.

Epic Reversal in Mary Shelley's The Last Man: Romantic Irony and the Roots of Science Fiction

in: Langford, Michele K., ed. Contours of the Fantastic. Westport, CT: Greenwood, 1990. pp.7-17.

Es sind wir. Frankenstein als Leitbild der zweiten Dominanzumkehr

in: Drux, Rudolf, ed. Der Frankenstein-Komplex: Kulturgeschichtliche Aspekte des Traums vom künstlichen Menschen. Frankfurt-am-Main: Suhrkamp, 1999. p. 204-210.

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