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"Consider the Body": Remaking the Myth of Female Sexuality in Margaret Atwood's Poems in Morning in the Burned House,

in: Bouson, J. Brooks, ed. Critical Insights: Margaret Atwood. Ipswich, MA: Salem Press, 2013. p. 153-170.

"On Being a Woman Writer": Atwood's Canadian and Feminist Contexts,

in: Bouson, J. Brooks, ed. Critical Insights: Margaret Atwood. Ipswich, MA: Salem Press, 2013. p. 35-53.

"This is Border Country": Atwood's Surfacing and Postcolonial Identity

in: Bouson, J. Brooks, ed. Critical Insights: Margaret Atwood. Ipswich, MA: Salem Press, 2013. p. 211-229.

"Virtuality, Globalization, and Neo-Primitivism in Margaret Atwood's Oryx and Crake."

Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 33(2): 7-17. 2011. (No. 148)

"We Can't Help but Be Modern": The Penelopiad

in: Appleton, Sarah A., ed. Once Upon a Time: Myth, Fairy Tales and Legends in Margaret Atwood's Writings. Newcastle: Cambridge Scholars Publishing, 2008. p. 57-72.

"What Are All Those Things He Once Thought He Knew, and Where Have They Gone?": The End of the Wor(l)d in Margaret Atwood's Oryx and Crake (2003)

in: GermanĂ , Monica and Mousoutzanis, Aristeidis eds. Apocalyptic Discourse in Contemporary Culture: Post-Millenial Perspectives of the End of the World. New York: Routledge, 2014. p. 206-219.

"[A]pocalypse coiled in my tongue": Apocalyptic Vision in Margaret Atwood's Poetry

in: Waltonen, Karman, ed. Margaret Atwood's Apocalypses. Newcastle Upon Tyne, UK: Cambridge Scholars Publishing, 2015. p. 1-12.

"[It] was zero hour, you said Be Brave": Tracing Atwood's Apocalypses

in: Waltonen, Karman, ed. Margaret Atwood's Apocalypses. Newcastle Upon Tyne, UK: Cambridge Scholars Publishing, 2015. p. ix-xix.

'No Fate but What We Make': Complicity and Termination in Margaret Atwood's The Handmaid's Tale

lin: Weiss, Allan, ed. Perspectives on the Canadian Fantastic: Proceedings of the 1997 Academic Conference on Canadian Science Fiction and Fantasy. s.l.: ACCSFF, 1997. pp. 25-34.

'The People in the Chaos Cannot Learn': Dystopian Vision in Atwood's Maddaddam Trilogy

in: Dimerjian, Louisa M., ed. The Age of Dystopia: One Genre, Our Fears and Our Future. Newcastle, UK: Cambridge Scholars Publishing, 2016. p. 19-34.

'Trust Me': Reading the Romance Plot in Margaret Atwood's The Handmaid's Tale

Twentieth-Century Literature 37(2): 148-168. Summer 1991. (Reprinted in: Bouson, J. Brooks, ed. Critical Insights: The Handmaid's Tale by Margaret Atwood. Pasadena, CA: Salem Press, 2009. p. 112-137.)

'Yet I Speak, Yet I Exist': Affirmation of the Subject in Atwood's Short Stories

in: Nicholson, Colin, ed. Margaret Atwood: Writing and Subjectivity: New Critical Essays. New York: St. Martin's, 1994. pp.230-247.

A Body in Fragments: Life Before Man and The Handmaid's Tale,

In: Bouson, J. Brooks, ed. Critical Insights: The Handmaid's Tale by Margaret Atwood. Pasadena, CA: Salem Press, 2009. p. 246-260.

A Certain Frivolity: Margaret Atwood's Literary Criticism

in: Nischik, Reingard M., ed. Margaret Atwood: Works and Impact. Rochester, NY: Camden House, 2000. pp. 120-135.

A Feminist and Psychoanalytic Approach in a Women's College,

in: Wilson, Sharon R., Friedman, Thomas B. and Henren, Shannon, eds. Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996. p. 122-127.

A Feminist by Another Name: Atwood and the Canadian Canon,

in: Wilson, Sharon R., Friedman, Thomas B. and Henren, Shannon, eds. Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996. p. 33-42.

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