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'No Fate but What We Make': Complicity and Termination in Margaret Atwood's The Handmaid's Tale

lin: Weiss, Allan, ed. Perspectives on the Canadian Fantastic: Proceedings of the 1997 Academic Conference on Canadian Science Fiction and Fantasy. s.l.: ACCSFF, 1997. pp. 25-34.

'Trust Me': Reading the Romance Plot in Margaret Atwood's The Handmaid's Tale

Twentieth-Century Literature 37(2): 148-168. Summer 1991. (Reprinted in: Bouson, J. Brooks, ed. Critical Insights: The Handmaid's Tale by Margaret Atwood. Pasadena, CA: Salem Press, 2009. p. 112-137.)

'Yet I Speak, Yet I Exist': Affirmation of the Subject in Atwood's Short Stories

in: Nicholson, Colin, ed. Margaret Atwood: Writing and Subjectivity: New Critical Essays. New York: St. Martin's, 1994. pp.230-247.

A Body in Fragments: Life Before Man and The Handmaid's Tale,

In: Bouson, J. Brooks, ed. Critical Insights: The Handmaid's Tale by Margaret Atwood. Pasadena, CA: Salem Press, 2009. p. 246-260.

A Certain Frivolity: Margaret Atwood's Literary Criticism

in: Nischik, Reingard M., ed. Margaret Atwood: Works and Impact. Rochester, NY: Camden House, 2000. pp. 120-135.

A Feminist and Psychoanalytic Approach in a Women's College,

in: Wilson, Sharon R., Friedman, Thomas B. and Henren, Shannon, eds. Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996. p. 122-127.

A Feminist by Another Name: Atwood and the Canadian Canon,

in: Wilson, Sharon R., Friedman, Thomas B. and Henren, Shannon, eds. Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996. p. 33-42.

A Practical Exercise: Popular Culture and Gender Construction in Surfacing and Bodily Harm,

in: Wilson, Sharon R., Friedman, Thomas B. and Henren, Shannon, eds. Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996. p. 90-98.

A Progressive Interview with Margaret Atwood

Progressive 74(12)/75(1): 61-62. December 2010/January 2011.

A Question of Metamorphosis

in: Ingersoll, Earl G., ed. Margaret Atwood: Conversations. Princeton, NJ: Ontario Review Press, 1990. pp.40-57.

A Sense of Loss in Ten Finely Crafted Stories by Margaret Atwood

Houston (TX) Chronicle. December 22, 1991. in NewsBank. Literature. 1:C11. 1992.

A White Illusion of a Man: Snowman, Survival and Speculation in Margaret Atwood's Oryx and Crake,

in: Baumgartner, Holly L. and Roger Davis, eds. Hosting the Monster. New York: Rodopi, 2008. p. 237-258.

A Woman's Dystopia: Margaret Atwood's The Handmaid's Tale,

Notes on Contemporary Literature 18: 9-10. November 1988.

A Writer for All Theories: Using Atwood's Works to Teach Critical Theory and Praxis,

in: Wilson, Sharon R., Friedman, Thomas B. and Henren, Shannon, eds. Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996. p. 167-173.

Adapting a Canonized Canadian Novel for the Operatic Stage

University of Toronto Quarterly 75(3): 815-820. Summer 2006.

Alias Atwood: Narrative Games and Gender Politics

in: Nischik, Reingard M., ed. Margaret Atwood: Works and Impact. Rochester, NY: Camden House, 2000. pp. 157-165. (Reprinted in Bloom, Harold, ed. Margaret Atwood. New Editon. Bloom's Literary Criticism, 2009)

Alice in Disneyland: Criticism as Commodity in The Handmaid's Tale

Essays in Canadian Literature No. 41: 74-92. 1990. (Reprinted in: Bouson, J. Brooks, ed. Critical Insights: The Handmaid's Tale by Margaret Atwood. Pasadena, CA: Salem Press, 2009. p. 153-174.)

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