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Results for subject : "THE DAY AFTER (MOTION PICTURE)"

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'Day' Big in Japan

Variety p. 123. February 1, 1984.

Broadcast Preparations for and Consequences of The Day After

in: Wober, J. Mallory, ed. Television and Nuclear Power: Making the Public Mind. Norwood, NJ: Ablex, 1992. pp.3-18.

Children's Emotional Reactions to Technological Disasters Conveyed by the Mass Media

in: Wober, J. Mallory, ed. Television and Nuclear Power: Making the Public Mind. Norwood, NJ: Ablex, 1992. pp.31-54.

Creative realism for The Day After

American Cinematographer 65(2):56-60. February 1985.

Day After

Science Fiction Times (Germany) 26(4):19. April 1984.

Day After Record in Wide Italo Run

Variety p. 42. February 15, 1984.

Day After Scores on Euro Screenings; Italo Sale Pending

Variety p. 5, 13. December 14, 1983.

Days After: Films on Nuclear Aftermath

in: Yoke, Carl B., ed. Phoenix from the Ashes. Westport, CT: Greenwood, 1987. pp.177-192.

Nuke War Telepic to Be Tough Sale for ABC Peddlers

Variety p. 69, 86. September 14, 1983.

Poland to Air Day After Pic

Variety p. 2. January 25, 1984.

The Day After

Los Angeles Times Sec. 6, pp.1, 11. January 12, 1989.

The Day After Axed in Poland; Further Queries

Variety p. 1, 68. December 21, 1983.

The Day After in Japan

in: Wober, J. Mallory, ed. Television and Nuclear Power: Making the Public Mind. Norwood, NJ: Ablex, 1992. pp.67-76.

The Day After: Rhetorical Vision in an Ironic Frame

Critical Studies in Mass Communication 3(3):317-336. September 1986.

The Impact of Nuclear Fiction in Britain: The Day After and Threads

in: Wober, J. Mallory, ed. Television and Nuclear Power: Making the Public Mind. Norwood, NJ: Ablex, 1992. pp.55-66.

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