Texas A&M UniversityTexas A&M University LibrariesThe Science Fiction and Fantasy Research Database
  Cushing Library SFFRD Home Search results

Results for subject : "MOTION PICTURES"

Flag this page

Flagged items: View | Clear | Download | Email

"Always Hearing Voices, Never Hearing Mine": Sound and Fury in The Snake Pit

in: DeGiglio-Bellemare, Mario, Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 203-224.

"As ifit wasn't a good island": Failed and Forgotten Utopias in the Cinematic Adaptations of William Golding's Lord of the Flies

in: Baim, Artur and Gruszewska-Blaim, Ludmila , eds. Mediated Utopias: From Literature to Cinema. New York: Peter Lang, 2014. p. 95-108.

"Cthulhu, a Vampire, and a Zombie Walk into a Bar...": Why These Themes, Why Now, and What's the Matter with Hollyweird?

in: Brock, Jason V. Disorders of Magnitude: A Survey of Dark Fantasy. New York: Rowman & Littlefield, 2014. p. 273-275.

"Do I Look Tasty to You?": Cannibalism beyond Speech and the Limits of Food Capitalism in Park's 301/302

in: Miller, Cynthia and Van Riper, A. Bowdoin, eds. What's Eating You: Food and Horror on Screen. New York: Bloomsbury, 2017. p. 137-154.

"Doctor: I'm Losing Blood:" "Nonsense: Your Blood is Right Here" The Vampirism of Carl Theadar Dreyer's Film Vampyr

in: Fischer-Hornung, Dorothea and Mueller, Monika. Vampires and Zombies: Transcultural Migrations and Transnational Interpretations. Jackson: University Press of Mississippi, 2016. p. 191-213.

"Doesn't everyone want their parents dead?" Monstrous Children in the Films of Ridley Scott

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 96-106.

"Frankenstein's Cinematic Dream"

in: Hogle, Jerrold E., ed. Frankenstein's Dream. A Romantic Series Praxis Volume. 2003. (http://www.rc.umd.edu/praxis/frankenstein/redfield/redfield.html) Accessed 5.August.2015.

"Gentlemen, You Can't Fight in Here!": Gender Symbolism and the End of the World in Dr. Strangelove and Melancholia

in: Ritzenhoff, Kareen A. and Krewani, Angela, eds. The Apocalypse in Film: Dystopias, Disasters, and Other Visions About the End of the World. Lanham: Roman and Littlefield, 2016. p. 61-75.

"Insects trapped in amber": The Mutant Child Seer in Contemporary Spanish Horror Film

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 225-244.

"It's Alive!": The Splattering of SF Films

in: Telotte, J. P. and Duchovnay, Gerald, eds. Science Fiction Double Feature: The Science Fiction Film as Cult Text. Liverpool, UK: Liverpool University Press, 2015. p. 53-67.

"Moody Three": Revisiting Ken Russell's The Devils

in: Benshoff, Harry M., ed. A Companion to the Horror Film. New York: Wiley, 2014. p. 501-518.

"My hideous cinematic progeny": Rosemary's Baby, Eraserhead and Frankenstein

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 79-95.

"Radiation's Rising, but One Mustn't Grumble Too Much": Nuclear Apocalypse Played as Farce in Richard Lester's The Bed Sitting Room (1969)

in: Ritzenhoff, Kareen A. and Krewani, Angela, eds. The Apocalypse in Film: Dystopias, Disasters, and Other Visions About the End of the World. Lanham: Roman and Littlefield, 2016. p. 29-44.

"She needs more": The Villainization of Infertile Women in Horror Films

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 42-60.

"Strange Pleasure": 1940s Proto-Slasher Cinema

in: DeGiglio-Bellemare, Mario , Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 27-46.

"The black chick always gets it first": Black Slayers in Sunnydale

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 37-50.

"The Murderer's Mind": Edward G. Robinson, Humphrey Bogart, and the Monstrous Psychologies of 1940s Horror Film

in: DeGiglio-Bellemare, Mario, Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 161-177.

"The Perfect Neanderthal Man": Rondo Hatton as The Creeper and the Cultural Economy of 1940s B-Films

in: DeGiglio-Bellemare, Mario, Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 295-318.

"The red gums were their own": Food, Flesh, and the Female in Beloved

in: Miller, Cynthia and Van Riper, A. Bowdoin, eds. What's Eating You: Food and Horror on Screen. New York: Bloomsbury, 2017. p. 123-136.

"The Rise Of The Robots" A sci-fi journey of creativity and collaboration

Master's Thesis, Stephen F. Austin State University, 2014. 42 p. (MAI 53(5)(E), October 2015)

"The terms of the contract have changed": How Ghost Rider Carries on Goethe's Faustian Tradition

in: McEniery, Matthew J., Peaslee, Robert M., and Weiner, Robert G., eds. Marvel Comics into Film: Essays on Adaptations Since the 1940s. Jefferson, NC: McFarland, 2016. p. 20-26.

"Yeah? Well, MY god has a HAMMER!": Myth-Taken Identity in the Marvel Cinematic Universe

in: McEniery, Matthew J., Peaslee, Robert M., and Weiner, Robert G., eds. Marvel Comics into Film: Essays on Adaptations Since the 1940s. Jefferson, NC: McFarland, 2016. p. 10-19.

Found 5,084 items on 204 pages.

Show: [25] [50] [100] records per page.

← Previous1234...204Next →

Giving to the Libraries