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"He wants to be just like Vincent Price": Influence and Intertext in the Gothic Films of Tim Burton

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 117-132.

"Pinioned by a Chain of Reasoning"? Anti -intellectualism and Models of Rationality in Tim Burton's Sleepy Hollow

in: McMahon, Jennifer L., ed. The Philosophy of Tim Burton. Lexington: University Press of Kentucky, 2014. p. 111-130.

"This is my art, and it is dangerous!": Tim Burton's Artist-Heroes

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 217-230.

"Tim Is Very Personal": Sketching a Portrait of Tim Burton's Auteurist Fandom and Its Origins

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 179-193.

A Monstrous Childhood: Edward Gorey's Influence on Tim Burton's The Melancholy Death of Oyster Boy

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 151-164.

A Symphony of Horror: The Sublime Synesthesia of Sweeney Todd

in: McMahon, Jennifer L., ed. The Philosophy of Tim Burton. Lexington: University Press of Kentucky, 2014. p. 171-192.

Affect without Illusion: The Films of Edward D. Wood Jr. after Ed Wood

in: McMahon, Jennifer L., ed. The Philosophy of Tim Burton. Lexington: University Press of Kentucky, 2014. p. 243-266.

Archituecture, Duality, and Personality: Mise-en-Scène and Boundaries in Tim Burton's Films

in: Morrison, Michael A., ed. Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts. Westport, CT: Greenwood, 1997. pp.141-160.

Burton Black

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 33-46.

Burtonology: Metaphysics, Epistemology, Essences, Christmas, and Vincent Price

in: McMahon, Jennifer L., ed. The Philosophy of Tim Burton. Lexington: University Press of Kentucky, 2014. p. 151-167.

Catwoman and Subjectivity: Constructions of Identity and Power in Tim Burton's Batman Returns

in: McMahon, Jennifer L., ed. The Philosophy of Tim Burton. Lexington: University Press of Kentucky, 2014. p. 31-46.

Costuming the Outsider in Tim Burton's Cinema, or, Why a Corset Is like a Codfish

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 47-64.

Culture, Hermeneutics, and the Batman

in: McMahon, Jennifer L., ed. The Philosophy of Tim Burton. Lexington: University Press of Kentucky, 2014. p. 131-150.

Danny Elfman's Musical Fantasyland, or, Listening to a Snow Globe

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 65-82.

Dead Can Dance

Cinefantastique 37(8): 14-18. November/December 2005.

Fishing for the [Mediating] Self: Identity and Storytelling in Big Fish

in: McMahon, Jennifer L., ed. The Philosophy of Tim Burton. Lexington: University Press of Kentucky, 2014. p. 9-30.

Fishy Tales

Starlog 320: 70-73. March 2004.

How to See Things Differently: Tim Burton's Reimaginings

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 99-116.

It Came from Burbank: Exhibiting the Art of Tim Burton Cheryl Hicks

in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 165-178.

It's Uncanny: Death in Tim Burton's Corpus

in: McMahon, Jennifer L., ed. The Philosophy of Tim Burton. Lexington: University Press of Kentucky, 2014. p. 215-242.

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