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'Ape' Series Draws Record Rome Crowds

Variety p. 47. August 26, 1981.

'Orange' To Venice With Italo Titles

Variety pp.15. July 26, 1972.

1984 Pulled From Venice; Preem Off Until October

Variety p. 7. August 1, 1984.

1993 Premio Italia Awards

Science Fiction Chronicle 15(8): 10. June 1994.

25 years of SF criticism in Italy, 1953-1978

Science-Fiction Studies 6(3):320-326. November 1979.

A (Sadistic) Night at the Opera: Notes on the Italian Horror Film

Velvet Light Trap 30: 65-75. 1992. (Also in: Gelder, Ken. The Horror Reader. London: Routledge, 2000. p. 324-335.)

A Portrait of the Writer as a Somnambule: Reflections on Verismo and Phantasmagoria in Verga and Capuana

in: Billiani, Francesca/Sulis, Gigliola, eds. The Italian Gothic and Fantastic: Encounters and Rewritings of Narrative Traditions. Madison [NJ] : Fairleigh Dickinson University Press, 2007. p. 80-97.

A Spasso nella Commedia: Temporal Journeying Through the Transitional Landscape of Italian Film Comedy of the 1980s and 1990s

in: Jones, Matthew and Omrod, Joan, eds. Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games. Jefferson, NC: McFarland, 2015. p. 106-117.

A Touch of Terror: Dario Argento and Deleuze's Cinematic Sensor

in: Allmer, Patricia; Huxley, David; and Brick, Emily, eds. European Nightmares: Horror Cinema in Europe Since 1945. New York: Wallflower, 2012. p. 167-177.

Al margine dello scientismo ottocentesco: parapsicologia, positivismo e il fantastico in Luigi Capuana, Gilbert Augustin Thierry e Bram Stoker

in: Ihring, Peter/Wolfzettel, Fredrich, eds. La tentazione del fantastico. Narrativa italiana fra 1860 e 1920. Perugia, Italy: Guerra Edizioni, 2003. p. 77-92.

Alcune tendenze della fantascienza italiana

Trimestre 12(1/2): 111-146. January-June 1979.

Alieni e androidi nello specchio della fiction-science

in: Spanu, Massimiliano, ed. Science Plus Fiction: La fantascienza tra antiche visioni e nuove tecnologie. Torino: Lindau, 2001. p. 113-120.

Altri mondi. Temi e rappresentazioni del virtuale nel cinema di fantascienza contemporaneo

in: Spanu, Massimiliano, ed. Science Plus Fiction: La fantascienza tra antiche visioni e nuove tecnologie. Torino: Lindau, 2001. p. 151-156.

An Inquiry into Modality and Genre, : reconsidering L'Iguana by Anna Maria Ortese

in: Billiani, Francesca/Sulis, Gigliola, eds. The Italian Gothic and Fantastic: Encounters and Rewritings of Narrative Traditions. Madison [NJ] : Fairleigh Dickinson University Press, 2007. p. 160-187.

An interview by G. Iannuzzi with Lorenzo Andolfatto: Shi Kong and the translation of Chinese science fiction in Italy

in: Bertoni, Roberto, ed. Aspects of science fiction since the 1980s: China, Italy, Japan, Korea. s.l.: Casalini Libri (CASA), 2015. p. 109-120.

Anxiety-free: Rereadings of the Freudian Uncanny

in: Billiani, Francesca/Sulis, Gigliola, eds. The Italian Gothic and Fantastic: Encounters and Rewritings of Narrative Traditions. Madison [NJ] : Fairleigh Dickinson University Press, 2007. p. 46-58.

Appunti prel1mii'ari per un saggio su Wells

in: Neri, Nicoletta, ed. Utopia e Fantascienza. Torino: Giappicelli, 1975. p. 99-128.

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