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"I have no speech, no name": The Denial of Female Agency Through Speech in Buffy the Vampire Slayer

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 51-71.

"I Know What You Are": A Philosophical Look at Race, Identity, and Mixed-Blood in the Twilight Universe

in: Bucciferro, Claudia, ed. The Twilight Saga: Exploring the Global Phenomenon. Lanham, MD: Scarecrow, 2013. p. 181-193.

"Let it simmer": Tonal Shifts in "Pangs"

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 108-124.

"Memory itself guarantees nothing": Dollhouse, Witnessing and "the jews"

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 233-249.

"Men of Their Times."

Uncanny Magazine. March 1, 2016. [7 p.] Online resource: http://uncannymagazine.com/article/men-of-their-times/

"One of us is yellow": Doctor Fu Manchu and The Talons of Weng-Chiang

in: Orthia, Lindy A., ed. Doctor Who and Race. Chicago: Intellect, 2013. p. 83-100.

"The anti-racist-white-hero premise": Whiteness and the Harry Potter Series

in; Bell, Christopher, ed. Wizards vs. Muggles: Essays on Identity and the Harry Potter Universe. Jefferson, NC: McFarland, 2016. p. 9-26.

"The Best Is Yet to Come"; or, Saving the Future: Star Trek: Deep Space Nine as Reform Astrofuturism

in: Lavender, Isiah, III, ed. Black and Brown Planets: The Politics of Race in Science Fiction. Jackson: University Press of Mississippi. p. 21-47.

"The Most Bizarre of All": Reading Progressive Race and Gender Identity Markers in " From Shadowed Places"

in: Mathews, Cheyenne an Haedicke, Janet C., eds. Reading Richard Matheson: a Critical Study. New York: Rowman & Littlefield, 2014. p. 143-156.

"The Wild Unicorn Herd Check-In": The Politics of Race in Science Fiction Fandom

in: Lavender, Isiah, III, ed. Black and Brown Planets: The Politics of Race in Science Fiction. Jackson: University Press of Mississippi. p. 225-240.

"They hate each other's chromosomes": Eugenics and the shifting racial identity of the Daleks

in: Orthia, Lindy A., ed. Doctor Who and Race. Chicago: Intellect, 2013. p. 233-250.

"Wild Work": The Monstrosity of Whiteness in I Am Legend

in: Mathews, Cheyenne an Haedicke, Janet C., eds. Reading Richard Matheson: a Critical Study. New York: Rowman & Littlefield, 2014. p. 31-44.

'With the Unspeakables': Dracula and Russophobia - Tourism, Racism and Imperialism

in: Miller, Elizabeth, ed. Dracula: The Shade and the Shadow, Papers Presented at 'Dracula 97' A Centenary Celebration at Los Angeles, August 1998. Essex, U. K.: Desert Island Books, 1997. pp. 104-115.

1492, 1942, 1992: The Theme of Race in the Harry Potter Series

The Looking Glass 10(1): [15 p.] January 2, 2006. (http://the-looking-glass.net)

A Century of Genocide: Utopias of Race and Nation

Princeton, NJ: Princeton University Press, 2003. 360 p.

A Character-By-Character Guide to Race in The Hunger Games.

Jezebel. March 26, 2012. [4 p.] Onlince resource: http://jezebel.com/5896515/a-character+by+character-guide-to-race-in-the-hunger-games

A Dis-(Orient)ation: Race, Technoscience, and The Windup Girl

in: Lavender, Isiah, III, ed. Black and Brown Planets: The Politics of Race in Science Fiction. Jackson: University Press of Mississippi. p. 177-194.

A Dodgy English Accent: The Rituals of a Contested Space of Englishness in "Helpless"

in: Iatrolpoulos, Mary and Woodall, Lowery A. III, eds. Joss Whedon and Race: Critical Essays. Jefferson, NC: McFarland, 2017. p. 72-90.

A Fabricated Africanist Persona: Race, Representation and Narrative Experimentation in Lost,

in: Pearson, Roberta, ed. Reading Lost: New York: Tauris, 2009. p. 241-260.

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