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"Soul Delay": Trauma and Globalization in William Gibson's Pattern Recognition (2003)

in: Germanà, Monica and Mousoutzanis, Aristeidis eds. Apocalyptic Discourse in Contemporary Culture: Post-Millenial Perspectives of the End of the World. New York: Routledge, 2014. p. 117-129.

"This is I, Hamlet the Dane!" Hamlet's Migration and Integration in the Dramatic Theater as Cyberspace

in: Kuchler, Ulrike, Maehl, Silja, and Stout, Graeme A., eds. Alien Imaginations: Science Fiction and Tales of Transnationalism. New York: Bloomsbury Academic, 2015. p. 227-244.

$500,000+ Gets Bantam/Spectra New William Gibson Novel

Science Fiction Chronicle 12(2): 4. November 1990.

$850,000+ for New William Gibson Novel

Science Fiction Chronicle 15(7): 4. June 1994.

'The Gernsback Continuum': William Gibson in the Context of Science Fiction

in: Slusser, George E. and Shippey, Tom, eds. Fiction 2000: Cyberpunk and the Future of Narrative. Athens: University of Georgia Press, 1992. pp.88-108.

A Glimpse of Cyberspace

Sci-Fi Entertainment 1(5): 51. February 1995.

A Tragedy for Cyborgs

Configurations 1(1): 171-196. 1993.

Accidental Guru: William Gibson

in: Crawford, Ashley and Edgar, Ray, eds. Transit Lounge: An Interface Book From 21C. North Ryde, Aust.: Craftsman House, 1997. pp. 43-45.

Afterword: The World Gibson Made

in: Murphy, Graham J. and Vint, Sherryl, eds. Beyond Cyberpunk: New Critical Perspectives. New York: Routledge, 2010. p. 211-227.228-233.

Agents or Pawns? Power Relations in William Gibson’s Bigend Trilogy

Fafnir – Nordic Journal of Science Fiction and Fantasy Research No. 1: . March 2014. (http://journal.finfar.org/articles/suoranta/)

Alien Influences

Vector No. 202: 18-21. November/December 1998.

Am Nullpunkt der Posthumanität. Cyberpunk-Fragmente. Noch einmal: William Gjbsons ‘Neuromancer,’

in: Jeschke, Wolfgang, ed. Das Science Fiction Jahr, No. 10. München: Heyne, 1995. p. 537-583.

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