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'His Hour Upon the Stage': Theatrical Adaptations of Dracula

in: Auerbach, Nina and Skal, David J., eds. Bram Stoker: Dracula. New York: Norton, 1997. pp. 371-381.

A 17th Century Weird Play

Fantasy Commentator 3(4): 114-115.. Winter 1949/1950. (No. 24)

Acts of Madness: Writing Horror for the Stage

in: Castle, Mort, ed. On Writing Horror: a Handbook. Cincinnati, Ohio : Writer’s Digest Books, 2007. p. 194-198. (Revised Edition.)

Advance Man, written by Mac Rogers (Play),

New York Review of Science Fiction 24(7): 1, 8-10. March 2012. (No. 283)

At the Marionette Theatre: His Dark Materials on Stage

New York Review of Science Fiction 16(6): 20-22. February 2004.

Bram Stoker and the London Stage

Journal of the Fantastic in the Arts 10(2): 124-132. 1999.

Capek's Science Fiction on Prague Stage

Times (London) No. 55711: 8. May 27, 1963.

Dybbuk, Husband, Home: Schmuel Hasfari and the Fantastic Tradition in Israeli Theatre,

in: Gurevitch, Danielle, Gomel, Elana, and Graff, Rani, eds. With Both Feet on the Clouds: Fantasy in Israeli Literature. Boston: Academic Studies Press, 2013. p. 112-140.

Dystopian Vision in the Plays of Elias Canetti

Science Fiction Studies 19(1): 69-74. March 1992.

Early American Gothic Drama

in: Crowe, Charles L., ed. A Companion to American Gothic. Hoboken: John Wiley 2014. p. 96-109.

England's Fantastic Theatre

Science Fiction Chronicle 19(9/10): 6. July/August 1998.

Exorcising a Theater Myth: S. Ansky's The Dybbuk

Journal of the Fantastic in the Arts 11(1): 14-23. 2000.

Fantastic in Theater and Cinema

Extrapolation 22(1): 5-12. Spring 1981.

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