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"Always Hearing Voices, Never Hearing Mine": Sound and Fury in The Snake Pit

in: DeGiglio-Bellemare, Mario, Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 203-224.

"Do I Look Tasty to You?": Cannibalism beyond Speech and the Limits of Food Capitalism in Park's 301/302

in: Miller, Cynthia and Van Riper, A. Bowdoin, eds. What's Eating You: Food and Horror on Screen. New York: Bloomsbury, 2017. p. 137-154.

"Doesn't everyone want their parents dead?" Monstrous Children in the Films of Ridley Scott

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 96-106.

"Insects trapped in amber": The Mutant Child Seer in Contemporary Spanish Horror Film

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 225-244.

"Just a Piece of Wood": Jan Svankmajer's Otesanek and the EcoGothic

in: Keetley, Dawn and Tenga, Angela, eds. Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film. New York: Palgrave Macmillan, 2016. p. 215-227.

"Moody Three": Revisiting Ken Russell's The Devils

in: Benshoff, Harry M., ed. A Companion to the Horror Film. New York: Wiley, 2014. p. 501-518.

"My hideous cinematic progeny": Rosemary's Baby, Eraserhead and Frankenstein

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 79-95.

"She needs more": The Villainization of Infertile Women in Horror Films

in: Bohlmann, Markus P. J. and Moreland, Sean, eds. Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors. Jefferson, NC: McFarland, 2015. p. 42-60.

"Strange Pleasure": 1940s Proto-Slasher Cinema

in: DeGiglio-Bellemare, Mario , Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 27-46.

"The Murderer's Mind": Edward G. Robinson, Humphrey Bogart, and the Monstrous Psychologies of 1940s Horror Film

in: DeGiglio-Bellemare, Mario, Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 161-177.

"The Perfect Neanderthal Man": Rondo Hatton as The Creeper and the Cultural Economy of 1940s B-Films

in: DeGiglio-Bellemare, Mario, Ellbé, Charlie and Woofter, Kristopher, eds. Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham: Lexington, 2015. p. 295-318.

"The red gums were their own": Food, Flesh, and the Female in Beloved

in: Miller, Cynthia and Van Riper, A. Bowdoin, eds. What's Eating You: Food and Horror on Screen. New York: Bloomsbury, 2017. p. 123-136.

"You Are What Others Think You Eat": Food, Identity, and Subjectivity in Zombie Protagonist Narratives

in: Miller, Cynthia and Van Riper, A. Bowdoin, eds. What's Eating You: Food and Horror on Screen. New York: Bloomsbury, 2017. p. 271-292.

'Beyond the Veil of the Flesh': Cronenbereg an athe Disembodiemnt of Horror

in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.231-252.

'Death is the New Pornography!': Gay Zombies, Homonormativity and Consuming Masculinity in Queer Horror

in: Hunt, Leon, Lockyer, Sharon and Williamson, Milly, eds. Screening the Undead: Vampires and Zombies in Film and Television. London: I. B. Tauris, 2014. p. 148-170.

'Everybody Pays. . . Even for Things They Didn't Do': Stephen King's Pay-out in the Bachman Novels

in: Magistrale, Tony, ed. The Dark Descent: Essays Defining Stephen King's Horrorscape. Westport, CT: Greenwood, 1992. pp.99-112.

'It Will Thrill You, It May Shock You, It Might Even Horrify You': Gender, Reception, and Classic Horror Cinema

in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.117-142.

'My God, No!': The Varieties of Christian Horror Fiction

in: Langford, Michele K., ed. Contours of the Fantastic. Westport, CT: Greenwood, 1990. pp.131-139.

'Parts is Parts': Pornography, Splatter Films and the Politics of Corporeal Disintegration

in: Conrich, Ian, Ed. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. New York: Tauris, 2010 p. 191-204.

'The Face of Mr. Flip': Homophobia in the Horror of Stephen King

in: Magistrale, Tony, ed. The Dark Descent: Essays Defining Stephen King's Horrorscape. Westport, CT: Greenwood, 1992. pp.187-201.

'They are a fact of life out here': The Ecocritical Subtexts of Three Early-Twenty-First-Century Aussie Animal Horror Movies

in: Gregersdotter, Katarina, Hoglund, Johan, and Hallen. Nicklas, eds. Animal Horror Cinema: Genre, History and Criticism. New York: Palgrave Macmillan, 2015. p. 37-57.

'Trashing' the Academy: Taste, Excess and an Emerging Politics of Cinematic Style

in: Conrich, Ian, Ed. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. New York: Tauris, 2010 p. 103-122.

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