Results for subject : "GENDER"
"A Sort of Mouse-Person": Radicalizing Gender in The Witches
Journal in the Fantastic in the Arts 23 (1): 25-39. 2012. (No. 84)
"Turkish Delights and Sardines with Tea": Food as a Framework for Exploring Nationalism, Gender, and Religion in The Lion, the Witch and the Wardrobe
in: Abate, Michelle A. and Weldy, Lance, eds. C. S. Lewis: The Chronicles of Narnia. New York: Palgrave Macmillan, 2012. p. 15-37.
'Beyond the Veil of the Flesh': Cronenbereg an athe Disembodiemnt of Horror
in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.231-252.
'It Will Thrill You, It May Shock You, It Might Even Horrify You': Gender, Reception, and Classic Horror Cinema
in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.117-142.
'Kiss Me With Those Red Lips": Gender and Inversion in Bram Stoker's Dracula
in: Auerbach, Nina and Skal, David J., eds. Bram Stoker: Dracula. New York: Norton, 1997. pp. 444-459.
'Some Horrible Dream About (s)mothering': Sexuality, Gender, and Family in the Alien Trilogy
Post Script 16(3): 36-50. Summer 1997.
'Where's Mama': The Construction of the Feminine in The Hobbit
Lion and the Unicorn 22(2): 188-195. April 1998.
(Fl)orality, Gender and the Environmental Ethos of Atwood's The Handmaid's Tale
Twentieth Century Literature 52(3): 275-305. Fall 2006.
(M)other Dracula and its Adaptations
MP: An Online Feminist Journal 2(5): 1-13. October 2009.
(Re)Reading Queerly: Science Fiction, feminism, and the Defamiliarization of Gender
Science Fiction Studies. 26(1): 23-40. March 1999. Also in: Barr, Marleen S., ed. Future Females, The Next Generation. Lanham: Rowman, 2000 and in: Flanagan, Mary. Reload: Rethinking Women and Cyberculture. Cambridge: MIT Press, 2002. p, 301-320.
A Man is Like a Nut: Gender and Magic in Ursula K. Le Guin's Later Earthsea Novels,
in: Duchamp, L. Timmel. The Wiscon Chronicles, Volume 1. Seattle, WA: Acqueduct, 2007. p. 143-154.
A Post-Feminist Romance: Love, Gender and Inrertextuality in Stephenie Meyer's Saga
in: Parke, Maggie and Wilson, Natalie, eds. Theorizing Twilight: Critical Essays on What’s at Stake in a Post-Vampire World. Jefferson, NC: McFarland, 2011. p. 147-161.
A Reflection on Tolkien's World: Gender, Race & Interpreted Political, Economic, Social & Cultural Allegories
http://www.justbooks.co.uk/cmt_article.asp?GettaID=214 (Courtely of sffworld-Science Fiction and Fantasy World). 5 pp.
A Sociocultural Analysis of the Gender and Racial Representations in Films Offering a Vision of the Future of Humanity
Ph.D. Dissertation, American University, 2001. 471 p. (DAI-A 62(2): 781. August 2001)
After/lmages of Identity: Gender, Technology, and Identity Politics
in: Flanagan, Mary, and Booth, Austin, eds. Reload: Rethinking Women + Cyberculture. Cambridge, Mass.: MIT Press, 2002. p. 321-331.
Alien Gender: Die Inszenierung von Geschlecht in Science-Fiction-Serien
Berlin: Transcript, 2007. 309 p.
America's Women Superheroes: Power, Gender and the Comics
Mid-Atlantic Almanac 2: 106-118. 1993.
Assembling Bodies in Cyberspace: Technologies, Bodies, and Sexual Difference
in: Flanagan, Mary, and Booth, Austin, eds. Reload: Rethinking Women + Cyberculture. Cambridge, Mass.: MIT Press, 2002. p. 519-538.
At Other Times, Like Females: Gender and Star Trek Fiction
in: Tulloch, John and Jenkins, Henry, eds. Science Fiction Audiences: Watching Doctor Who and Star Trek. New York: Routledge, 1995. pp.196-212.
Attack of the Leading Ladies : The Masks of Gender, Sexuality, and Race in Classic Horror Cinema
Ph D. Dissertation, UCLA, 1992. 341 p.
Attack of the Leading Ladies: Gender, Sexuality and Spectatorship in Classic Horror Cinema
New York: Columbia University Press, 1996. 274 p.
Barbarian Heroing and Its Parody: New Perspectives on Masculinity
in: Prida, Jonas, ed. Conan Meets the Academy : Multidisciplinary Essays on the Enduring Barbarian. Jefferson, NC: McFarland, 2012. p. 193-212.
Becoming Hu-Man: Deleuze and Guattari, Gender and 3rd Rock from the Sun
Intensities 1: [28 p.] undated. (http://intensities.org/issues/)
Becoming Human: Desire and the Gendered Subject
in: Barfield, Steven and Cox, Katherine, eds. Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. Jefferson, NC: McFarland, 2011. p. 187-201.`
Becoming the Female Man : Sexuality and Gender Politics in Feminist Utopian Literature
Master’s Thesis, San Francisco State University, 2000. 124 p.
Found 302 items on 13 pages.