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A Utopia of Words: Doctor Who, Shakespeare, and the Gendering of Utopia

in: Barr, Jason and Mustachio, Camille, eds. The Language of Doctor Who: from Shakespeare to Alien Tongues. Lanham: Rowman & Littlefield, 2014. p. 139-154.

After/lmages of Identity: Gender, Technology, and Identity Politics

in: Flanagan, Mary, and Booth, Austin, eds. Reload: Rethinking Women + Cyberculture. Cambridge, Mass.: MIT Press, 2002. p. 321-331.

Against Such Swooning, Asimov Himself Contends in Vain: Gender in The Gods Themselves and Other Works

in: Booker, M. Keith, ed. Critical Insights: Isaac Asimov. Ipswich: Salem Press, 2017. p. 172-186.

Amy's Boys, River's Man: Generation, Gender and Sexuality in the Moffat Whoniverse

in: O'Day, Andrew, ed. Doctor Who – The Eleventh Hour: A Critical Celebration of the Matt Smith and Steven Moffat Era. London: I. B. Tauris, 2014. p. 70-86.

Androgynous Aliens and Gender Migrants: Experiments in Genderlessness in Ursula K. Le Guin's The Left Hand of Darkness and Greg Egan's Distress

in: Edrei, Shawn and Gurevitch, Danielle, eds. Science Fiction Beyond Borders. Newcastle upon Tyne, UK: Cambridge Scholars, 2016. p. 14-30.

Assembling Bodies in Cyberspace: Technologies, Bodies, and Sexual Difference

in: Flanagan, Mary, and Booth, Austin, eds. Reload: Rethinking Women + Cyberculture. Cambridge, Mass.: MIT Press, 2002. p. 519-538.

At Other Times, Like Females: Gender and Star Trek Fiction

in: Tulloch, John and Jenkins, Henry, eds. Science Fiction Audiences: Watching Doctor Who and Star Trek. New York: Routledge, 1995. pp.196-212.

Barbarian Heroing and Its Parody: New Perspectives on Masculinity

in: Prida, Jonas, ed. Conan Meets the Academy : Multidisciplinary Essays on the Enduring Barbarian. Jefferson, NC: McFarland, 2012. p. 193-212.

Batman's Female Foes: The Gender War in Gotham City

Journal of Popular Culture 48(2): 285–295. April 2015,

Battles of Family, Freedom and Femininity: Portrayals of Gender in Marvel's Civil War

in: Scott, Kevin M., ed. Marvel Comics' Civil War and the Age of Terror: Critical Essays on the Comic Saga. Jefferson, NC: McFarland, 2015. p. 121-130.

Becoming Human: Desire and the Gendered Subject

in: Barfield, Steven and Cox, Katherine, eds. Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. Jefferson, NC: McFarland, 2011. p. 187-201.`

Birth Traumas: Parturition and Horror in Rosemary's Baby

Cinema Journal 31(3): 3-18. Spring 1992. Also in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.412-430.

Black Girlhood Interrupted: Race, Gender, and Colonization in Nalo Hopkinson’s Midnight Robber

in: Booker, M. Keith, ed. Contemporary Speculative Fiction. Ipswich, MA: Salem Press, 2013. p. 187-202.

Blue and Pink: Gender in Neil Gaiman’s Work

in: Schweitzer, Darrell, ed. The Neil Gaiman Reader. Rockville, MD: Wildside Press, 2007. p. 51-53.

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