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Blue Wizards and Pink Witches: Representations of Gender Identity and Power

in: Heilman, Elizabeth E., ed. Harry Potter's World: Multidisciplinary Critical Perspectives. New York: Routledge, 2003. p. 221-239.

Both/And: Science Fiction and the Question of Changing Gender

Strange Horizons [9 p.] February 18, 2002. (http://www.strangehorizons.com/2002/20020218/both_and.shtml)

Boy-Girls and Girl-Beasts: The Gender Paradox in C. S. Lewis's The Chronicles of Narnia

in: Abate, Michelle A. and Weldy, Lance, eds. C. S. Lewis: The Chronicles of Narnia. New York: Palgrave Macmillan, 2012. p. 186-198.

Bringing It All Back Home: Family Economy and Generic Exchange

in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.143-163.

Bruteness: Gender, Race, and Animality in Buffy the Vampire Slayer

in: Schatz, J. L. and Parson, Sean, eds. Superheroes and Critical Animal Studies. Lanham, MD: Lexington, 2018. p. 115-134.

Burying the Undead: The Use and Obsolescence of Count Dracula

in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.364-378.

C. L. Moore, M. Brundage, and Jirel of Joiry: Women and Gender in the October 1934 Weird Tales

in: Everett, Justin and Shanks, Jeffrey H., eds. The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror. New York: Rowman and Littlefield, 2015. p. 187-200.

Casting Lumos on Critical Cultural Studies: Gender, Hegemony and Other Social Stereotypes

in: Frankel, Valerie E., ed. Teaching with Harry Potter: Essays on Classroom Wizardry from Elementary School to College, ed. by Valerie E. Frankel. Jefferson, NC: McFarland, 2013. p. 179-187.

Christina Rossetti and the Gender Politics of Fantasy /

in: Davies, Kath, ed. The Victorian Fantasists: Essays on Culture, Society, and Belief in the Mythopoeic Fiction of the Victorian Age. New York : St. Martin's Press, 1991. p. 133-152.

Cinderfella: J. K. Rowling's Wily Web of Gender

in: Anatol, Giselle L., ed. Reading Harry Potter: Critical Essays. Westport, CT: Praeger, 2003. p. 191-205.

Coded Transmissions: Gender and Genre Reception in The Matrix

in: Attebery, Brian; Hollinger, Veronica, eds. Parabolas of Science Fiction. Middledown, CT: Wesleyan University Press, 2013. p. 143-160.

Companions, Criminals, Soldiers and Psychos: The Protrayal of Gender Identity in Firefly

Some Fantastic 2(4): 7-10. Summer 2006. (No. 9) (http://www.somefantastic.us/)

Contesting Gender in The Wasp Factory, Whit and The Business

in: Colebrook, Martyn and Cox, Katarine, eds. The Transgressive Iain Banks: Essays on a Writer Beyond Borders. Jefferson, NC: McFarland, 2013. p. 123-135.

Creating the Second Self: Performance, Gender, and Authorship,

in: Duchamp, L. Timmel and Gunn, Eileen. The Wiscon Chronicles, Volume 2. Seattle, WA: Acqueduct, 2008. p. 51-60.

Cullen Family Values: Gender and Sexual Politics in the Twilight Series

in: Click, Melissa A., et al, eds. Bitten by Twilight: Youth Culture, Media, and the Vampire Franchise. New York: Peter Lang, 2010. p. 71-86.

Culture of Desire and Technology: Postwar Literatures of Science Fiction in the United States and Japan

Ph. D. Dissertation, Pennsylvania State University, 2005. 249 p. (DAI-A 66(8): 2923. February 2006.)

Dad, Are You There? Come Back: Gender and the Narrative of Science Fiction,

in: Finzsch, Norbert and Wellenreuther, Hermann, eds. Visions of the Future in Germany and America. New York: Berg, 2001. p. 501-532..

Daemon des Geschlechts. Prolegomena zu Vampirismus und Gender in der neueren deutschsprachigen Literatur

in: Ivanovic, Christine/Lehmann, Juergen/May, Markus, eds. Phantastik -Kult oder Kultur? Aspekte eines Phanomens in Kunst, Literatur und Film. Stuttgart: Verlag J. B. Metzler, 2003. p. 215-238.

Dark Legacies Matter: How the Dark Matter Anthologies Challenge Racial and Gender Stereotypes

Internet Review of Science Fiction 6(12): [4 p.] December 2009. (http://www.irosf.com/)

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