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Die Immanenz des Transzendenten bei Neil Gaiman

in: Petzold, Dieter, ed. Inklings: Jahrbuch fur Literature und Asthetik, Band 30, 2012. Frankfurt: Peter Lang, 2013. p. 56-71.

Different Kinds of Pleasure

Locus 54(2): 8-9, 77-78. February 2005.

Doors, Vortices and the In-Between: Quantum Cosmological Goddesses in the Gaiman Multiverse

in: Prescott, Tara and Drucker, Aaron, eds. Feminism in the Worlds of Neil Gaiman: Essays on the Comics, Poetry, and Prose. Jefferson, NC: McFarland, 2012. p. 261-279.

Dreamland

New York Times [4 p.] November 5, 2006. (Cited from the online edition.)

Dreams and Fairy Tales: The Theme of Rationality in a Midsummer Night’s Dream and The Sandman

in: Schweitzer, Darrell, ed. The Neil Gaiman Reader. Rockville, MD: Wildside Press, 2007. p. 22-29.

Empowering Voice and Refìguring Retribution: Nei! Gaiman's Anti-Feminism Feminist Parable in The Sandman

in: Prescott, Tara and Drucker, Aaron, eds. Feminism in the Worlds of Neil Gaiman: Essays on the Comics, Poetry, and Prose. Jefferson, NC: McFarland, 2012. p. 81-101.

Even gods do: The construction and presentation of network culture in Neil Gaiman's "American Gods"

Master's Thesis, State University of New York at Buffalo, 2011. 88 0. (MAI 49/06, December 2011)

Fables and Reflections: Doubles, Duality and Mirrors in the Fiction of Neil Gaiman

in: Burdge, Anthony, Burke, Jessica, and Larsen, Kristine, eds. The Mythological Dimensions of Neil Gaiman. Crawfordsville, FL: Kitsune Books, 2012. p. 173-185.

Fairy and Faerie: Uses of the Victorian in Neil Gaiman's and Charles Vess's Stardust,

ImageTexT: Interdisciplinary Comics Studies. 4(1): [9 p.] Summer 2008. (http://www.english.ufl.edu/imagetext/)

Family and Kinship in King Rat and American Gods, Undergraduate Postmodernism Final Paper Summer 2005

Online Resource: http://dynamicsubspace.net/2014/01/08/recovered-writing-undergraduate-postmodernism-final-paper-family-and-kinship-in-king-rat-and-american-gods-summer-2005/ Posting of an undergraduate paper, Summer, 2005. Accessed 5 January 2014.

Feminist Fairy Tales in Who Killed Amanda Palmer

in: Prescott, Tara and Drucker, Aaron, eds. Feminism in the Worlds of Neil Gaiman: Essays on the Comics, Poetry, and Prose. Jefferson, NC: McFarland, 2012. p. 206-220.

Feminist Subjectivity in Neil Gaiman's Black Orchid

in: Prescott, Tara and Drucker, Aaron, eds. Feminism in the Worlds of Neil Gaiman: Essays on the Comics, Poetry, and Prose. Jefferson, NC: McFarland, 2012. p. 102-115.

Forever Batman

in: Bealer, Tracy L., Luria, Rachel, and Yuen, Wayne, eds. Neil Gaiman and Philosophy. Chicago: Open Court, 2912. p. 147-158.

Four bikers of the Apocalypse

in: Bealer, Tracy L., Luria, Rachel, and Yuen, Wayne, eds. Neil Gaiman and Philosophy. Chicago: Open Court, 2912. p. 159-168.

From Sandman to Neverwhere

Locus 36(1): 8. January 1996.

Gaiman and Palmer Wed,

Locus 66(2): 10. February 2011.

Gaiman Foundation Gives to CBLDF

Locus 70(1): 10. January 2013.

Gaiman in the News,

Locus 64(6): 10, 64 June 2010.

Gaiman Launches Coraline

Locus 49(2): 11. August 2002.

Gaiman Wins Carnegie Medal,

Locus 65(2): 10. August 2010.

Gaiman Wins Newbery Award,

Locus 62(3): 5. March 2009.

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