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War Machine, Time Machine,

in: Pearson, Wendy G.; Hollinger, Veronica; Gordon, Joan, eds. Queer Universes: Sexualities in Science Fiction. Liverpool, UK: Liverpool University Press, 2008. p. 39-51.

What Are We? Adolescence, Sex and Intimacy in Buffy and the Vampire Slayer

Continuum: Journal of Media and Cultural Studies 18(1): 121-137. March 2004.

What does the Eye Demand : Sexuality, Forbidden Vision and Embodiment in The Lord of the Rings

in: Mathijs, Ernest/Pomerance, Murray, ed. From Hobbits to Hollywood: Essays on Peter Jackson’s Lord of the Rings. New York: Rodopi, 2006. p. 265-282.

Whose Hand Was I Holding?: Familial and Sexual Politics in Shirley Jackson's The Haunting of Hill House

in: Murphy, Bernice M., ed. Shirley Jackson: Essays on the Literary Legacy. Jefferson, NC: McFarland, 2005. p. 150-168.

Why We Like Our Vampires Sexy

In: Clarke, Amy M. and Osborn, Marijane, eds. The Twilight Mystique: Critical Essays on the Novels and Films. Jefferson, N.C. : McFarland & Co., 2010. p. 179-188.

Wise Scientists and Female Androids: Class and Gender in Science Fiction

in: Corner, John, ed. Popular Television in Britain: Studies in Cultural History. London: British Film Institute Publishing, 1991. pp.108-124.

You, U. K. Le Guin

in: Barr, Marlene S., ed. Future Females. Bowling Green, OH.: Bowling Green State University Popular Press, 1981. pp. 125-137.

‘Hell! Was I Becoming a Vampyre Slut?’: Sex, Sexuality and Morality in Young Adult Vampire Fiction

in: Mutch, Deborah, ed. The Modern Vampire and Human Identity. New York: Palgrave Macmillan, 2013. p. 55-75.

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