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"God's Country:' Evil's Playground: Susie Moloney, Michael Rowe, Brian Horeck and the Northern Ontario Gothic

in: Weiss, Allan, ed. The Canadian Fantastic in Focus: New Perspectivs. Jefferson, NC: McFarland, 2015. p. 159-172.

"I know everything that's going to happen": The Self-Reflexive Compulsion to Repeat (with a Difference)

in: Edmundson, Melissa, ed. The Gothic Tradition in Supernatural. Jefferson, NC: McFarland, 2016. p. 63-72.

"I think 1 am a monster": Helen Oyeyemi's White Is for Witching and the Postmodern Gothic

in: Hutchison, Sharla and Brown, Rebecca A., eds. Monsters and Monstrosity from the fin de siècle to the Millennium: New Essays. Jefferson, NC: McFarland, 2015. p. 168-186.

"Madness and monstrosity": Notions of the Gothic and Sublime in Comics Adaptations of H. P. Lovecraft

in: Hutchison, Sharla and Brown, Rebecca A., eds. Monsters and Monstrosity from the fin de siècle to the Millennium: New Essays. Jefferson, NC: McFarland, 2015. p. 187-205.

"More Than Human": The Queer Occult Explorer of the Fin-de-Siecle

Journal of the Fantastic in the Arts 23 (1): 4-24. 2012. (No. 84)

"Psychotically, irrationally, erotically codependent": Incest and the Gothic Other

in: Edmundson, Melissa, ed. The Gothic Tradition in Supernatural. Jefferson, NC: McFarland, 2016. p. 155-166.

"Something like you, something like a beast": Gothic Convention and Fairy Tale Elements in David Almond's Skellig

in: Abbruscato, Joseph and Jones, Tanya, eds. The Gothic Fairy Tale in Young Adult Literature: Essays on Stories from Grimm to Gaiman. Jefferson, NC: McFarland, 2014. p. 11-29.

"Sympathy for the Devil": The Neutralization of Traditionally Evil Figures

in: Edmundson, Melissa, ed. The Gothic Tradition in Supernatural. Jefferson, NC: McFarland, 2016. p. 143-154.

"We've all been demons": Postmodern Gothic and the Fragmented Self

in: Edmundson, Melissa, ed. The Gothic Tradition in Supernatural. Jefferson, NC: McFarland, 2016. p. 129-142.

"What's up, bitches?" Charlie Bradbury as Gothic Heroine

in: Edmundson, Melissa, ed. The Gothic Tradition in Supernatural. Jefferson, NC: McFarland, 2016. p. 115-126.

"Whatever you do, don't blink!" Gothic Horror and the Weeping Angels Trilogy

in: Leitch, Gillian I., ed. Doctor Who in Time and Space: Essays on Themes, Characters, History and Fandom 1963-2012. Jefferson, NC: McFarland, 2013. p. 213-226.

"You can't spell subtext without S-E-X": Gothic Intertextuality and the (Queer) Uncanny

in: Edmundson, Melissa, ed. The Gothic Tradition in Supernatural. Jefferson, NC: McFarland, 2016. p. 51-62.

'A Butcher's Shop Where the Meat Still Moved': Gothic Doubles, Organ Harvesting, and Human Cloning

In: Wasson, Sara; Alder, Emily. Eds. Gothic Science Fiction 1980-2010. Liverpool University Press, 2011. p. 73-86.

'A strange kind of evil': superficial paganism and false ecology in The Wicker Man

in: Smith, Andrew and Hughes, William, eds. EcoGothic. Manchester, UK: Manchester University Press, 2013. p. 68-71.

'As much a family as anyone could be, anywhere ever': revisioning the family in Poppy Z. Brite's Lost Souls

in: Andeweg, Agnes and Zlosnik, Sue, eds. Gothic Kinship. New York: Manchester University Press, 2013. p. 174-195.

'Children misbehaving in the walls!' or, Wes Craven's suburban family values

in: Andeweg, Agnes and Zlosnik, Sue, eds. Gothic Kinship. New York: Manchester University Press, 2013. p. 81-96.

'Death is Irrelevant': Gothic Science Fiction and the Biopolitics of Empire.

In: Wasson, Sara; Alder, Emily. Eds. Gothic Science Fiction 1980-2010. Liverpool University Press, 2011. p. 57-72.

'I Wants to Make Your Flesh Creep': Notes Toward a Reading of the Comic Gothic in Dickens

in: Robbins, Ruth/Wolfreys, Julian, eds. Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. New York: Palgrave, 2000. pp.31-59.

'Powers Old and New': Stoker's Alliances with Anglo-Irish Gothic

in: Hughes, William and Andrew Smith, eds. Bram Stoker: History, Psychoanalysis and the Gothic. New York: St. Martin's, 1998. pp.12-28.

'The blank darkness outside': Ambrose Bierce and wilderness Gothic at the end of the frontier

in: Smith, Andrew and Hughes, William, eds. EcoGothic. Manchester, UK: Manchester University Press, 2013. p. 120-133.

'Uncanny states': global ecoGothic and the world-ecology in Rana Dasgupta's Tokyo Cancelled

in: Smith, Andrew and Hughes, William, eds. EcoGothic. Manchester, UK: Manchester University Press, 2013. p. 177-194.

'Withered, Wrinkled, and Loathsome of Visage': Reading the Ethics of the Soul and the Late-Victorian Gothic in The Picture of Dorian Grey

in: Robbins, Ruth/Wolfreys, Julian, eds. Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. New York: Palgrave, 2000. pp.168-181.

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