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Flag This Row	Alternatives to Cosmcisim [sic, Cosmicism] in the Pulp Fiction of H.P. Lovecraft: Art, Experience, and Folk Culture. DeCarlo, Evan Master's Thesis, Southern Connecticut State University, 2019. 87 p. (MAI 58(6)(E).) Subjects: CALL OF CTHULHU, THE (STORY); FOLKLORE; LOVECRAFT, H. P.; SHADOW OVER INNSMOUTH, THE (STORY) Options: Download this record ; E-mail this record
Flag This Row	Forbidden Texts: The Ambivalence of Knowledge and Writing in Horror Fiction from Mary Shelley to Stephen King. Glickman, Steven R. Ph. D. Dissertation, University of Colorado, 1997. 487pp. (DAI 58(7): 2647. January 1998.) Subjects: CALL OF CTHULHU, THE (STORY); FRANKENSTEIN (NOVEL); HORROR GENRE; IT (NOVEL); KING, STEPHEN; LOVECRAFT, H. P.; SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	From Depths of Terror to Depths of Wonder: The Sublime in Lovecraft’s Call of Cthulhu and Cameron’s The Abyss Joseph, Vivan in: Hackett, Jon and Harrington, Sean, ed. Beasts of the Deep: Sea Creatures and Popular Culture. London: Libby, 2018. p. 42-56. Subjects: ABYSS (MOTION PICTURE); CALL OF CTHULHU, THE (STORY); LOVECRAFT, H. P. Options: Download this record ; E-mail this record
Flag This Row	H. P. Lovecraft and the anatomy of the nothingness: The Cthulhu Mythos Berruti, Massimo Semiotica No. 150: 363-418. August 2004. Subjects: CALL OF CTHULHU, THE (STORY); LOVECRAFT, H. P. Options: Download this record ; E-mail this record

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