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Flag This Row	Beautiful Results: Whitman's Democratic Vision and the Evolution of America in Michael Cunningham's Specimen Days, Schopp, Andrew in: Detora, Lisa M., ed. Heroes of Film, Comics and American Culture: Essays on Real and Fictional Defenders of Home. Jefferson, NC: McFarland, 2009. p. 40-60. Subjects: CUNNINGHAM, MICHAEL; WHITMAN, WALT Options: Download this record ; E-mail this record
Flag This Row	Coping with the deconstruction of American identity: Hybridization and self-destruction in Alex Garland's Annihilation (2018). Schopp, Andrew In: McSweeney, Terence and Joy, Stuart, eds. Contemporary American Science Fiction Film. New York: Routledge, 2022. p. 193-208. Subjects: ANNIHILATION (2018) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Cruising the Alternatives: Homoeroticism and the Contemporary Vampire Schopp, Andrew Journal of Popular Culture 30(4): 231-243. Spring 1997. Subjects: HOMOSEXUALITY; VAMPIRES Options: Download this record ; E-mail this record
Flag This Row	From Misogyny to Homophopia and Back Again: The Play of Erotic Triangles in Stephen King's Christine Schopp, Andrew Extrapolation 38(1): 66-78. Spring 1997. Subjects: CHRISTINE (NOVEL); KING, STEPHEN; SEX Options: Download this record ; E-mail this record
Flag This Row	Transgressing the Safe Space: Generation X Horror in The Blair Witch Project and Scream. Schopp, Andrew in: Higley, Sarah L. and Weinstock, Jeffery A., eds. Nothing That is: Millennial Cinema and The Blair Witch Controversies. Detroit, MI: Wayne State University Press, 2004. p. 125-144. Subjects: AUDIENCES; BLAIR WITCH PROJECT, THE (1999) (FILM); SCREAM (1996) (CRAVEN) (FILM) Options: Download this record ; E-mail this record

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