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Flag This Row	Epistemological Stakes of Buffy the Vampire Slayer, The: Television Criticism and Marketing Demands. Hastie, Amelie in: Levine, Elana and Parks, Lisa, eds. Undead TV: Essays on Buffy the Vampire Slayer. Durham, NC: Duke University Press, 2007. p. 74-95. Subjects: BUFFY THE VAMPIRE SLAYER (1997-2003) (TV); CRITICISM; EPISTEMOLOGY; MARKETING Options: Download this record ; E-mail this record
Flag This Row	Fabricated Space, A: Assimilating the Individual on Star Trek: The Next Generation. Hastie, Amelie in: Harrison, Taylor, Projansky, Sarah, Ono, Kent A., Helford, Elyce R., eds. Enterprise Zones: Critical Positions on Star Trek. Boulder, CO: Westview Press, 1996. pp. 115-136. Subjects: ASSIMILATION; ATTIRE; FASHION; GENDER; IDENTITY; INDIVIDUALISM; STAR TREK: THE NEXT GENERATION (1987-1994) (TV) Options: Download this record ; E-mail this record
Flag This Row	The Vulnerable Spectator: Blood and Photons: The Fundamental Particles of Only Lovers Left Alive Hastie, Amelie Film Quarterly (FilmQ) 68 (1): 63-68 (Fall 2014). Subjects: No subjects listed. Options: Download this record ; E-mail this record

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Epistemological Stakes of Buffy the Vampire Slayer, The: Television Criticism and Marketing Demands.

Hastie, Amelie

in: Levine, Elana and Parks, Lisa, eds. Undead TV: Essays on Buffy the Vampire Slayer. Durham, NC: Duke University Press, 2007. p. 74-95.

Subjects: BUFFY THE VAMPIRE SLAYER (1997-2003) (TV); CRITICISM; EPISTEMOLOGY; MARKETING

Options: Download this record ; E-mail this record

Fabricated Space, A: Assimilating the Individual on Star Trek: The Next Generation.

Hastie, Amelie

in: Harrison, Taylor, Projansky, Sarah, Ono, Kent A., Helford, Elyce R., eds. Enterprise Zones: Critical Positions on Star Trek. Boulder, CO: Westview Press, 1996. pp. 115-136.

Subjects: ASSIMILATION; ATTIRE; FASHION; GENDER; IDENTITY; INDIVIDUALISM; STAR TREK: THE NEXT GENERATION (1987-1994) (TV)

Options: Download this record ; E-mail this record

The Vulnerable Spectator: Blood and Photons: The Fundamental Particles of Only Lovers Left Alive

Hastie, Amelie

Film Quarterly (FilmQ) 68 (1): 63-68 (Fall 2014).

Subjects: No subjects listed.

Options: Download this record ; E-mail this record

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