Hills, Matt
in: Weinstock, Jeffrey A., ed. The Works of Tim Burton: Margins to Mainstream. New York: Palgrave Macmillan, 2013. p. 179-193.
in: Brooker, Will, ed. The Blade Runner Experience: The Legacy of a Science Fiction Classic. New York : Wallflower, 2005. p. 124-141.
in: Garner, Ross P.; Beattie, Melissa; McCormack, Una, eds. Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood, and The Sarah Jane Adventures. Newcastle, UK: Cambridge Scholars Publishing, 2010. p. 210-217.
Implicit Religion 18(4): 575-578. December 2015.
in: Schneider, Steven J./Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow, 2003. p. 138-157.
Hills, Matt; Williams, Rebecca
in: Abbott, Stacey, ed. Reading Angel: The TV Spin-off with a Soul. New York: Taurus, 2003. p. 203-217.
in: Hills, Matt, ed. New Dimensions of Doctor Who: Adventures in Space, Time and Television, ed. by Matt Hills. New York: I. B. Tauris, 2013. p. 216-234.
in: Conrich, Ian, Ed. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. New York: Tauris, 2010 p. 87-102.
New York: Columbia University Press, 2011. 128 p.
Science Fiction Studies 30(3): 436-455. November 2003.
In: Lavery, David, ed. The Essential Cult TV Reader. Lexington, KY: University Press of Kentucky, 2010, p. 97-103.
Cherry, Brigid; Hills, Matt
Manchester : Manchester University Press, 2021. 249 p.
New York: Palgrave Macmillan, 2015. 146 p.
Journal of Fandom Studies 2(1): 31-52. April 2014.
in: Schneider, Steven J., ed. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge, UK: Cambridge University Press, 2004. p. 205-221.
New York: Routledge, 2002. 237 p.
In: Wolf, Mark J. P., ed. The Routledge Companion to Imaginary Worlds. New York: Routledge, 2017. p. 274-280.
Garde-Hansen, Joanne; Hills, Matt
Critical Studies in Media Communication 34(2): 158-167. 2017.
in: Telotte, J. P. and Duchovnay, Gerald, eds. Science Fiction Double Feature: The Science Fiction Film as Cult Text. Liverpool: Liverpool University Press, 2005. p. 21-37.
in: Guynes, Sean and Hassler-Forest, Dan, eds; Star Wars and the History of Transmedia Storytelling. Amsterdam: Amsterdam University Press, 2017. p. 213-224.
Intenstiies No. 4: 61-79. November 2007. (http://intensities.org/)
in: Nowell, Richard, ed. Merchants of Menace: The Business of Horror Cinema. New York: Bloomsbury Academic, 2014. p. 229-249.
in: Benshoff, Harry M., ed. A Companion to the Horror Film. New York: Wiley, 2014. p. 90-108.
in: O'Day, Andrew, ed. Doctor Who, The Eleventh Hour: A Critical Celebration of the Matt Smith and Steven Moffat Era. London: I. B. Tauris, 2014. p. 181-203.
in: Hills, Matt, ed. New Dimensions of Doctor Who: Adventures in Space, Time and Television, ed. by Matt Hills. New York: I. B. Tauris, 2013. p. 1-16.
Cherry, Brigid; Hills, Matt; O'Day, Andrew
In: Cherry, Brigid and Hills, Matt, eds. Doctor Who -- New Dawn: Essays on the Jodie Whittaker Era. Manchester : Manchester University Press, 2021. p. 1-23.
In: Cherry, Brigid, Hills, Matt, and O'Day, Andrew, eds. Doctor Who – New Dawn: Essays on the Jodie Whittaker Era. Manchester, UK: Manchester University Press, 2021. p. 1-23.
European Journal of Cultural Studies 8(3): 345-365. August 2005.
New Review of Film and Television Studies 9(1): 28-41. 2011.
in: Gray, Jonathan, Sandvoss, Cornel, and Harrington, C. Lee, eds. Fandom: Identities and Communities in a Mediated World. New York: New York University Press, 2007. p. 33-47.
New York: I. B. Tauris, 2013. 240 p.
in: Mathijs, Ernest, ed. Lord of The Rings: Popular Culture in Global Context. London: Wallflower Press, 2006. p. 160-171.
in: Butler, David, ed. Time and Relative Dissertations in Space: Critical Perspectives on Docotr Who. Manchester, UK: Manchester University Press, 2007. p. 280-295.
Science Fiction Film and Television 1(1): 25-44. Spring 2008.
New York: Continuum, 2005. 250 p.
Science Fiction Film and Television 7(2): 159-178. Summer 2014.
In: Cherry, Brigid and Hills, Matt, eds. Doctor Who -- New Dawn: Essays on the Jodie Whittaker Era. Manchester : Manchester University Press, 2021. p. 222-237.
in: Bould, Mark et al. The Routledge Companion to Science Fiction. New York: Routledge, 2009. p. 433-441.
In: Lavery, David, ed. The Essential Cult TV Reader. Lexington, KY: University Press of Kentucky, 2010, p. 275-281.
in: McCulloch, Richard and Proctor, William, eds. Disney’s Star Wars: Forces of Production, Promotion, and Reception. Iowa City: University of Iowa Press, 2019. p. 39-52.
in: Williams, Rebecca, ed. Torchwood Declassified: Investigating Mainstream Cult Television. New York: I. B. Tauris, 2013. p. 65-86.
In: Boni, Marta, ed. World building: transmedia, fans, industries. Amsterdam: Amsterdam University Press, 2017. p. 343-361.
New York: I. B. Tauris, 2010. 261 p.
in: Morey, Anne, ed. Genre, Reception and Adaptation in the Twilight Series. Farnham, UK: Ashgate, 2012. p. 113-130.
In: Wolf, Mark J. P., ed. Exploring Imaginary Worlds: Essays on Media, Structure, and Subcreation. New York: Routledge, 2021. p. 191-205.
Critical Studies in Television 9(1): 95-113. Spring 2014.
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