Abbott, Stacey
in: Abbott, Stacey, ed. Reading Angel: The TV Spin-off with a Soul. New York: Taurus, 2003. p.1-16.
Slayage No. 3, June 2001. [7 p.] (Online Resource: http://www.slayage.tv/)
In: Woofter, Kristopher K. and Jowett, Lorna, eds. Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond. New York: I.B. Tauris, 2019. p. 163-180.
Slayage: The Online International Journal of Buffy Studies 19(1/2; [#53/54]): 13-37. Summer/Fall 2021.
in: Abbott, Stacey and Lavery, David, eds. TV Goes to Hell An Unofficial Road Map to Supernatural. Toronto: ECW Press, 2011. p. 3-17.
New York: Taurus, 2003. 265 p.
in: Hantke, Steffen, ed. Horror film: Creating and Marketing Fear. Jackson: University Press of Mississippi, 2004. p. 3-20.
in: Hunt, Leon, Lockyer, Sharon and Williamson, Milly, eds. Screening the Undead: Vampires and Zombies in Film and Television. London: I. B. Tauris, 2014. p. 38-53.
Science Fiction Film and Television 11(2): 203-231. Summer 2018.
New York: Soft Skull, 2010. 272 p.
in: George, Sam and Hughes, Bill, eds. Open Graves, Open Minds: representations of vampires and the undead from the Enlightenment to the present day. Manchester, UK: Manchester University Press, 2013. p. 96-112.
Abbott, Stacey; Lavery, David
Toronto: ECW Press, 2011. 326 p.
Abbott, Stacey; Jowett, Lorna
London: I.B. Tauris, 2013. 270 p.
In: Bacon, Simon, ed. Palgrave Handbook of the Vampire. Cham: Palgrave Macmillan, 2023. p. 1751-1767.
In: Lavery, David, ed. The Essential Cult TV Reader. Lexington, KY: University Press of Kentucky, 2010, p. 307-313.
Edinburgh: Edinburgh University Press, 2016. 225 p.
in: Williams, Rebecca, ed. Torchwood Declassified: Investigating Mainstream Cult Television. New York: I. B. Tauris, 2013. p. 120-136.
Slayage 3 (1; #9]): [12 p.] August 2003. https://www.whedonstudies.tv/uploads/2/6/2/8/26288593/abbott_slayage_3.1.pdf
in: Abbott, Stacey, ed. Reading Angel: The TV Spin-off with a Soul. New York: Taurus, 2003. p. 230-233.
In: McKenna, Mark and Proctor, William, eds. Horror Franchise Cinema. New York: Routledge, 2022. p. 128-142.
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