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Flag This Row	Performative Femininity and Female Invalidism in John Keats's "La Belle Dame Sans Merci" and S.T. Coleridge's Christabel. Gal, Ana G. in: Hobson, Amanda and Anyiwo, U. Melissa, eds. Gender in the Vampire Narrative. Boston: Sense, 2016. p. 161-172. Subjects: BELLE DAME SANS MERCI, LA (POEM); CHRISTABEL (POEM); COLERIDGE, SAMUEL TAYLOR; FEMININITY; KEATS, JOHN; VAMPIRES Options: Download this record ; E-mail this record
Flag This Row	Re-Inventing Irishness in Sheridan Le Fanu's Carmilla. Gal, Ana G. Journal of Dracula Studies No. 10: [8 p.] 2008. Subjects: CARMILLA (STORY); IRELAND; LE FANU, JOSEPH SHERIDAN Options: Download this record ; E-mail this record
Flag This Row	The Masks of Dracula: In Search of the Authentic Performative Vampire in Three Graphic Novel Adaptations of Bram Stoker's Dracula Gal, Ana G. in: Tabachnick, Stephen E. and Saltzman, Esther B., eds. Drawn From the Classics: Essays on Graphic Adaptations of Literary Works. Jefferson, NC: McFarland, 2015. p. 161-176. Subjects: ADAPTATIONS; DRACULA (NOVEL); STOKER, BRAM Options: Download this record ; E-mail this record
Flag This Row	Tough Women, Patriarchal Violence, and the Problem of Non-Intersectional Feminism in Len Wisemanâ€™s Underworld Series. Gal, Ana G. In: Anyiwo, Melissa and Hobson, Amanda Jo, eds. Gender Warriors: Reading Contemporary Urban Fantasy. Boston: Brill Sense, 2019. p. 85-96. Subjects: FEMINISM; UNDERWORLD (FILM SERIES); VIOLENCE; WISEMAN, LEN; WOMEN IN SF AND FANTASY Options: Download this record ; E-mail this record

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