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Flag This Row	'Legally recognised undead': essence, difference and assimilation in Daniel Waters's Generation Dead. Hughes, Bill in: George, Sam and Hughes, Bill, eds. Open Graves, Open Minds: representations of vampires and the undead from the Enlightenment to the present day. Manchester, UK: Manchester University Press, 2013. p. 245-263. Subjects: ASSIMILATION; VAMPIRES; WATERS, DANIEL Options: Download this record ; E-mail this record
Flag This Row	â€œâ€˜A devout but nearly silent listenerâ€™: Dialogue, sociability, and Promethean individualism in Mary Shelleyâ€™s Frankenstein (1818) Hughes, Bill The Irish Journal of Gothic and Horror Stories No. 16: 4-21. Autumn 2017. Subjects: SHELLEY, MARY Options: Download this record ; E-mail this record
Flag This Row	In the Company of Wolves: Werewolves, Wolves and Wild Children, George, Sam; Hughes, Bill Manchester, UK: Manchester University Press, 2020. 284 p. Subjects: CHILDREN IN SF AND FANTASY; WEREWOLVES; WOLVES Options: Download this record ; E-mail this record
Flag This Row	Introduction: Werewolves and Wildness George, Sam; Hughes, Bill Gothic Studies 21(1): 1-9. May 2019. Subjects: WEREWOLVES Options: Download this record ; E-mail this record
Flag This Row	Open Graves, Open Minds: representations of vampires and the undead from the Enlightenment to the present day, edited by Sam George and Bill Hughes. George, Sam; Hughes, Bill Manchester, UK: Manchester University Press, 2013. 314 p. Subjects: VAMPIRES Options: Download this record ; E-mail this record
Flag This Row	“Through a glass darkly”: Reflection, Representation, and Mortality in ‘Eternity’. Hughes, Bill Slayage 17(2; [#50]): 77-95. Summer/Fall 2019. Subjects: ANGEL (1999-2004) (TV); MORTALITY Options: Download this record ; E-mail this record

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