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Flag This Row	Crake’s aesthetic: Genetically modified humans as a form of art in Margaret Atwood’s Oryx and Crake Kozioł, Sławomir Critique 59(4): 492-508. 2018. Subjects: ATWOOD, MARGARET; ORYX AND CRAKE (NOVEL) Options: Download this record ; E-mail this record
Flag This Row	Crake’s Aesthetic: Genetically Modified Humans as a Form of Art in Margaret Atwood’s Oryx and Crake Kozioł, Sławomir Critique: Studies in Contemporary Fiction 59( 4): 492-508. 2018. Subjects: ATWOOD, MARGARET; GENETIC ENGINEERING; GENETICS; ORYX AND CRAKE (NOVEL) Options: Download this record ; E-mail this record
Flag This Row	Too Much of a Good Thing: Displays in Contacts and “Engagement Disloyalty” in Rainbows End by Vernor Vinge Kozioł, Sławomir Extrapolation 60(3): 273–297. December 2019. Subjects: RAINBOWS END (NOVEL); VINGE, VERNOR Options: Download this record ; E-mail this record

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Crake’s aesthetic: Genetically modified humans as a form of art in Margaret Atwood’s Oryx and Crake

Critique 59(4): 492-508. 2018.

Subjects: ATWOOD, MARGARET; ORYX AND CRAKE (NOVEL)

Options: Download this record ; E-mail this record

Crake’s Aesthetic: Genetically Modified Humans as a Form of Art in Margaret Atwood’s Oryx and Crake

Critique: Studies in Contemporary Fiction 59( 4): 492-508. 2018.

Subjects: ATWOOD, MARGARET; GENETIC ENGINEERING; GENETICS; ORYX AND CRAKE (NOVEL)

Options: Download this record ; E-mail this record

Too Much of a Good Thing: Displays in Contacts and “Engagement Disloyalty” in Rainbows End by Vernor Vinge

Extrapolation 60(3): 273–297. December 2019.

Subjects: RAINBOWS END (NOVEL); VINGE, VERNOR

Options: Download this record ; E-mail this record

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Search Records by Author: Kozioł, Sławomir