Sobchack, Vivian C.
Paradoxa 2(1): 140-148. 1995.
in: Power, Aidan, et al, eds. Reality Unbound: New Departures in Science Fiction Cinema. Berlin: Bertz + Fischer, 2017. p. 12-33.
In: Power, Aidan, ed. Die Zukunft ist jetzt: Science-Fiction-Kino als audio-visueller Entwurf von Geschichte(n), Räumen und Klängen. Berlin: Bertz + Fischer, 2016. p. 10-28.
Journal of Popular Film 3(1): 31-33. 1974.
in: Seed, David, ed. A Companion to Science Fiction. Malden, MA: Blackwell, 2005. p. 261-274.
in: Featherstone, Mike and Burrows, Roger, eds. Cyberspace / Cyberbodies / Cyberpunk: Cultures of Technological Embodiment. London: Sage Publications, 1995. pp. 20-214. (Also in: Body & Society, Vol. 1, No. 3/4.)
in: Waller, G. A., ed. American Horrors. Urbana: University of Illinois Press, 1987. pp.175-194.
in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.143-163.
Film Comment 43(4): 30-36. July/August 2007.
Camera Obscura No. 15: 7-36. 1986. Also in: Penley, Constance, ed. Close Encounters: Film, Feminism and Science Fiction. Minneapolis: University of Minnesota Press, 1991. pp.3-30.
East-West Film Journal 3(1):4-19. 1988. also in: Kuhn, Annette, ed. Alien Zone II: The Spaces of Science Fiction Cinema. London: Verso, 1999. pp. 123-146.
in: Redmond, Sean, ed. Liquid Metal: The Science Fiction Film Reader. New York: Wallflower Press, 2004. p. 78-87.
Literature/Film Quarterly 9(2):92-102. 1981.
in: Redmond, Sean, ed. Liquid Metal: The Science Fiction Film Reader. New York: Wallflower Press, 2004. p. 4-10.
South Brunswick, N. J.: Barnes, 1980. 246 p. 78-69642
in: Monteleone, Franco/Martino, Cecilia, eds. Science Fiction. Rome: Bulzoni Editore, 2003. p. 209-239.
in: Monteleone, Franco/Martino, Cecilia, eds. Science Fiction. Roma: Bulzoni, 2003. p. 209-240.
Science Fiction Film and Television 1(1): 1-13. Spring 2008.
South Atlantic Quarterly 92(4): 569-584. Fall 1993. (Reprinted in: in: Bell, David and Kennedy, Barbara M., eds. The Cybercultures Reader. New York: Routledge, 2000. p. 138-148.
SFRA Review No. 219: 27-29. September/October 1995.
in: Kirkup, Gill et al, eds. The Gendered Cyborg: A Reader. London: Routledge, 2000. pp. 136-147.
in: The Gendered Cyborg: A Reader, ed. by Kirkup, Gill, Janes, Linda, Woodward, Kathryn and Hovenden, Fiona. London: Routledge, 2000. pp. 136-147.
in: Redmond, Sean, ed. Liquid Metal: The Science Fiction Film Reader. New York: Wallflower Press, 2004. p. 220-227.
in: Sappington, Rodney and Stallings, Tyler, eds. Uncontrollable Bodies: Testamonies of Identity and Culture. Seattle, WA: Bay Press, 1994. p. 79-92.
in: Gelder, Ken. The Horror Reader. London: Routledge, 2000. p. 336-347.
in: Vint, Sherryl, ed. Science Fiction and Cultural Theory: a Reader. New York: Routledge, 2015. p. 54-64.
Science Fiction Studies 41(2): 284-300. July 2014.
in: Gehring, Wes D., ed. Handbook of American Film Genres. Westport, CT: Greenwood, 1988. pp.229-247.
New York: Ungar, 1985.
New York: Ungar, 1987. 345pp.
in: Langford, Michele K., ed. Contours of the Fantastic. Westport, CT: Greenwood, 1990. pp.101-112.
in: Jaeckle, Jeff, ed. Film dialogue. New York : Columbia University Press, 2013. 241 p.
South Brunswick: Barnes, 1980. 246pp.
in: Kuhn, Annette, ed. Alien Zone. London: Verso, 1990. pp.103-115.
in: Slusser, George, ed. Shadows of the Magic Lamp. Carbondale: Southern Illinois University Press, 1985. pp. 41-57. in: Kuhn, Annette, ed. Alien Zone. London: Verso, 1990. pp.103-115. Reprinted in: Benford, Gregory et al, eds. Bridges to Science Fiction and Fantasy: Outstanding Essays from the J. Lloyd Eaton Conferences. Jefferson, NC: McFarland, 2018.
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