Proctor, William
Palabra Clave 20(4): December 2017. 1105-1141.
Poole, William S.
in: Packer, Sharon and Pennington, Jody W. eds. A History of Evil in Popular Culture: What Hannibal Lecter, Stephen King, and Vampires Reveal About America. V. 1, Evil in Film, Television and Music. Santa Barbarbara, CA: Praeger, 2014. p. 257-268.
Pett, Emma
Participations: Journal of Audience & Reception Studies 10(1): 177-197. May 2013.
Au, Christopher
Midwest Quarterly 66(1): Fall 2024. 12-23.
Jones, Craig O.
Science Fiction Film and Television 9(1): 25-53. February 2016.
Moisich, Oliver; Wierschem, Markus
In: Greve, Julius and Zappe, Florian, eds. The American Weird: Concept and Medium. New York: Bloomsbury Academic 2021. p. 154-172.
Tobin, Natalia
Science Fiction Studies 48(1): 8-18. March 2021.
Attewell, Nadine
Contemporary Literature 45(1): 22-48. Spring 2004.
Geraghty, Lincoln
In: Nardi, Dominic J., Jr. and Sweet, Derek R., eds. The Transmedia Franchise of Star Wars TV. Basingstoke: Palgrave Macmillan, 2020. p. 77-96.
Wallace, Morgan R.
Master's Thesis, University of South Florida, 2018. 70 p. (MAIL 57(6)(E).)
Attebery, Stina
Science Fiction Film and Television 12(3): 365-372. Autumn 2019.
Robinson, Linda A.
Ph. D. Dissertation, Northwestern University, 2007. 388 p. (DAI-A 68(9): 3641.)
Cebulak, Brittni M.
Master's Thesis, Southeast Missouri State University, 2020. 79 p. (MAI 82(1).)
MacKenzie, Annah E.
in: Kapell, Matthew W. and Pilkington, Ace G., eds. The Fantastic Made Visible: Essays on the Adaptation of Science Fiction and Fantasy from Page to Screen. Jefferson, NC: McFarland, 2015. p. 175-191.
Giammanco, Rosamaria Stefania
Ph. D. Dissertation, University of Birmingham (UK), 2021. (DAI-C 84(7).) http://etheses.bham.ac.uk//id/eprint/11339/ (16 Mb) https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.861495
Cryer, Billy J.
Master's Thesis, The University of Texas - Pan American, 2015. 74 p. (MAI 54/06(E), Dec 2016.)
Balanzategui, Jessica
Horror Studies 7(2): 235-251. October 2016.
Hardt, Maria-Xenia
Dissertation, Albert-Ludwigs-Universität Freiburg i. Br., 2020.; published as: Heroism in Doctor Who : 1963-2020. Baden-Baden : Ergon Verlag, 2022. 321 p.
Gullander-Drolet, Claire
Science Fiction Studies 48(1): 94-108.. March 2021.
Mousoutzanis, Aris; Teo, Yugin
Science Fiction Studies 48(1): 1-7. March 2021.
Muller, Nat
Science Fiction Studies 48(1): 124-138. March 2021.
Howe, Andrew
in: Hayes, Marisa, ed. Fan Phenomena: The Rocky Horror Picture Show. Bristol, UK: Intellect, 2015. p. 124-131.
Gamez Fuentes, Maria Jose; Garcia, Rebeca Maseda
Science Fiction Studies 48(1): 77-93. March 2021.
Ross, Simon D.
Master's Thesis, University of Hong Kong, 2001. 32 p.
Kowal, Ewa
Brno Studies in English 45(1): 143-155. 2019
Stephan, Matthias
Science Fiction Studies 48(1): 109-123. March 2021.
Broich, Ulrich
in: Pfister, Manfred, ed. Alternative Welten. Munich: Wilhelm Fink Verlag, 1982. p. 353-369.
Kabak, Murat
Gaziantep University Journal of Social Sciences 18(Special Issue) 81-91. 2019.
Nakamura, Asami
Science Fiction Studies 48(1): 62-76. March 2021.
Guerrero, Paula B.
Science Fiction Studies 48(1): 29-45. March 2021.
Anderson, Christopher T.
Literature, Interpretation, Theory 23(3): 267-282. 2012.
Gordon, Ian
in: Jancovich, Mark and Lyons, James, eds. Quality Popular Television: Cult TV, the Industry and Fans. London: BFI Publishing, 2003. p. 148-162.
Leggatt, Matthew
Albany: State University of New York Press, 2021. 294 p.
Funchion, John
Modern Language Quarterly 71(4): 429-451. 2010.
Dosser, Max
Communication and Critical/Cultural Studies. 20(4): 453-470. 2023.
In: Leggatt, Matthew, ed. Was It Yesterday: Nostalgia in Contemporary Film and Television. Albany: State University of New York Press, 2021. p. 171-196.
Murphy, Bernice M.
in: Ni Fhlainn, Sorcha, ed. The Worlds of Back to the Future: Critical Essays on the Films. Jefferson, NC: McFarland, 2010. p. 49-61.
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