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Flag This Row	2012: End of Days? Perna, Lindsay Houston Chronicle Belief Section, p. 8. November 13, 2009. Subjects: 2012 (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Gomez Munoz, Pablo Ph.D. Dissertation, Universidad de Zaragoza, 2018. 334 p. Subjects: 2012 (MOTION PICTURE); CLOUD ATLAS (MOTION PICTURE); CODEPENDENT LESBIAN SPACE ALIEN SEEKS SAME (MOTION PICTURE); ELYSIUM (MOTION PICTURE); MOTION PICTURES; THE HOST (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	A better world? cosmopolitan struggles in twenty-first century science fiction cinema Gomez Munoz, Pablo Ph. D. Dissertation, Universidad de Zaragoza, 2018. Subjects: 2012 (MOTION PICTURE); CLOUD ATLAS (MOTION PICTURE); CODEPENDENT LESBIAN SPACE ALIEN SEEKS SAME (MOTION PICTURE); ELYSIUM (MOTION PICTURE); IN TIME (MOTION PICTURE); THE HOST (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	A Heideggerian Interpretation of Apocalyptic Cinema. McFadden, Dan Cineaction No. 95: 40-47. 2015. Subjects: 2012 (MOTION PICTURE); APOCALYPSE; HEIDEGGER, MARTIN; THE DAY AFTER TOMORROW (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Getting the Doomsday We Deserve: Roland Emmerich's 2012 and the Neoliberal Disaster Film Cornell, Julian in: Magid, Annette M., ed. Apocalyptic Projections: A Study of Past Predictions, Current Trends and Future Intimations as Related to Film and Literature. Newcastle, UK: Cambridge Scholars Publishing, 2015. p. 130-146. Subjects: 2012 (MOTION PICTURE); DISASTERS Options: Download this record ; E-mail this record
Flag This Row	Goetterdaemmerung, Fordham, Joe Cinefex No. 120: 30-65. January 2010. Subjects: 2012 (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	L'apocalypse cinema: 2012 et autres fins du monde. Szendy, Peter Nantes: Capricci, 2012. 154 p. English edition: New York : Fordham University Press, 2015. Subjects: 2012 (MOTION PICTURE); A. I.: ARTIFICIAL INTELLIGENCE (2001) (FILM); APOCALYPSE; BLADE RUNNER (1982) (FILM); TERMINATOR, THE (1984) (FILM); THE LAST MAN ON EARTH (MOTION PICTURE); THE ROAD (MOTION PICTURE); TWELVE MONKEYS (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Overcoming the End of the World in American Cinema. Woolley, Elena Cineaction No. 95: 26-35. 2015. Subjects: 2012 (MOTION PICTURE); APOCALYPSE; DEATH Options: Download this record ; E-mail this record
Flag This Row	The (Gender) Politics of Disaster in 2012 (2009) Courcoux, Charles-Antoine in: Ritzenhoff, Kareen A. and Krewani, Angela, eds. The Apocalypse in Film: Dystopias, Disasters, and Other Visions About the End of the World. Lanham: Roman and Littlefield, 2016. p. 133-146. Subjects: 2012 (MOTION PICTURE); APOCALYPSE; GENDER Options: Download this record ; E-mail this record
Flag This Row	The End of the World Never Looked So Good, LaSalle, Mick Houston Chronicle Sect. E, p. 3, 8. November 13, 2009. Subjects: 2012 (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	The Virtual of Disaster: Science, Politics and Tectonics in Roland Emmerich's 2012 Andersson, Axel in: Wright, Alan, ed. Film on the Faultline. Chicago: Intellect Books, 2015. p. 93-108. Subjects: 2012 (MOTION PICTURE); EARTHQUAKES; MOTION PICTURES; SCIENCE IN SF Options: Download this record ; E-mail this record

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