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Flag This Row	Challenging capitalism: Ethics, exploitation and the sublime in Moon and Source Code Constable, Catherine Science Fiction Film and Television 11(3): 417-448. Autumn 2018. Subjects: CAPITALISM; ETHICS; MOON (MOTION PICTURE); SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Code Man Jake Alter, Ethan Film Journal International 114(4): 14-56. April 2011. Subjects: MOON (MOTION PICTURE); SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Disappearing Natives:The Colonized Body is Monstrous Hairston, Andrea Extrapolation 54(3): 257-263. 2013. (Reprinted in: Hairston, Andrea. Lonely Stardust. Seattle, WA: Aqueduct, 2014.); also in: Vanderhooft, Joselle, ed. The WisCon Chronicles, Volume 7: Shattering Ableist Narratives. Seattle: Aqueduct Press, 2013. p. 146-154. Subjects: ; COLONIALISM; DISABILITIES; MOTION PICTURES; SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Novum Decay: Moving Beyond Humanism in Source Code Hay, Jonathan Foundation 49 (3): 5-18. 2020. (No. 137.) Subjects: POSTHUMANISM; SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Reality Deconstructed. Fordham, Joe Cinefex No. 126: 40-67. July 2011. Subjects: SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Science Fiction and the Mass Cultural Genre System. Rieder, John Middletown, CT: Wesleyan University Press, 2017. 206 p. Subjects: CABIN IN THE WOODS, THE (2011) (FILM); DEFINITIONS; DICK, PHILIP K.; GENRE; SCIENCE FICTION; SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Speculative Finance and Network Temporality in Duncan Jonesâ€™s Moon and Source Code Pierson, David P. New Centennial Review 19(1): 255-275. Spring 2019. Subjects: CAPITALISM; ECONOMICS; FINANCE; MOON (MOTION PICTURE); SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Tarrying with Sublimity: The Limits of Cinematic Form in Duncan Jones’ Source Code Blouin, Michael J. in: Comer, Todd A. and Vayo, Lloyd I., eds. Terror and the Cinematic Sublime : Essays on Violence and the Unpresentable in Post-9/11 Films. Jefferson, NC: McFarland, 2012. p. 103-118. Subjects: SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record
Flag This Row	Try Again: The Time Loop as a Problem-Solving Process in Save the Date and Source Code García-Catalán, Shaila; Navarro-Remesal, Victor in: Jones, Matthew and Omrod, Joan, eds. Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games. Jefferson, NC: McFarland, 2015. p. 206-218. Subjects: SAVE THE DATE (MOTION PICTURE); SOURCE CODE (MOTION PICTURE); TIME TRAVEL Options: Download this record ; E-mail this record
Flag This Row	Wounded Warriors of the Future: Disability Hierarchy in Avatar and Source Code. Schalk, Sami Journal of Literary & Cultural Disability Studies 14(4): 403-419. 2020. Subjects: AVATAR (2009) (FILM); DISABILITIES; SOURCE CODE (MOTION PICTURE) Options: Download this record ; E-mail this record

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