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Flag This Row	"An AI doesn't need a gender" (but it's still assigned one): Paradigm Shift of the Artificially Created Woman in Film. Escudero Perez, Jimena Feminist Media Studies 20(3): 325-340. May 2020. Subjects: ARTIFICIAL INTELLIGENCE; AUTOMATA (2014) (FILM); CYBORGS; EX MACHINA (2014) (FILM); HER (2013) (FILM); POSTHUMANISM; THE MACHINE (MOTION PICTURE); WOMEN IN SF AND FANTASY Options: Download this record ; E-mail this record
Flag This Row	When the Inhuman Becomes Human: An Examination of the Musical Portrayal of the Robot in Twenty-First Century Science-Fiction Cinema Through an Analysis of the Film Scores of Automata, Ex Machina, and The Machine. O'Brien, Rebecca Ann Ph. D. Dissertation, University of Kentucky, 2019. 134 p. Subjects: ANDROIDS; AUTOMATA (2014) (FILM); EX MACHINA (2014) (FILM); MOTION PICTURES; MUSIC; ROBOTS; THE MACHINE (MOTION PICTURE); WOMEN IN SF AND FANTASY Options: Download this record ; E-mail this record

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"An AI doesn't need a gender" (but it's still assigned one): Paradigm Shift of the Artificially Created Woman in Film.

Escudero Perez, Jimena

Feminist Media Studies 20(3): 325-340. May 2020.

Subjects: ARTIFICIAL INTELLIGENCE; AUTOMATA (2014) (FILM); CYBORGS; EX MACHINA (2014) (FILM); HER (2013) (FILM); POSTHUMANISM; THE MACHINE (MOTION PICTURE); WOMEN IN SF AND FANTASY

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When the Inhuman Becomes Human: An Examination of the Musical Portrayal of the Robot in Twenty-First Century Science-Fiction Cinema Through an Analysis of the Film Scores of Automata, Ex Machina, and The Machine.

O'Brien, Rebecca Ann

Ph. D. Dissertation, University of Kentucky, 2019. 134 p.

Subjects: ANDROIDS; AUTOMATA (2014) (FILM); EX MACHINA (2014) (FILM); MOTION PICTURES; MUSIC; ROBOTS; THE MACHINE (MOTION PICTURE); WOMEN IN SF AND FANTASY

Options: Download this record ; E-mail this record

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Search Records by Subject: THE MACHINE (MOTION PICTURE)