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Flag This Row	"I read the fucking books!" Subkulturelle Reaktionen auf den Medien- und Publikumswechsel von ASOIAF zu GOT. Unterhuber, Tobias in: May, Markus, Baumann, Michael, Baumgartner, Robert, and Eder, Tobias, eds. Die Welt von “Game of Thrones”: Kulturwissenschaftliche Perspektiven auf George R.R. Martins “A Song of Ice and Fire”. Bielefeld:Transcript, 2016. p. 385-394. Subjects: ADAPTATION; FANS; GAME OF THRONES (TV); MARTIN, GEORGE R. R.; RECEPTION THEORY; SONG OF ICE AND FIRE, A (GAME OF THRONES) (SERIES) Options: Download this record ; E-mail this record
Flag This Row	'Small Hands Do Them Because They Must': Examining the Reception of The Lord of the Rings Among Young Readers. Shelton, Luke Ph. D. Dissertation, University of Glasgow (UK), 2020. [3], 295 p. (DAI-C 82(2)(E). http://theses.gla.ac.uk/81312/ (2 Mb) https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.806281 Subjects: ADOLESCENTS; CHILDREN; LORD OF THE RINGS, THE (NOVELS); READER-RESPONSE THEORY; READERS; RECEPTION THEORY; TOLKIEN, J. R. R. Options: Download this record ; E-mail this record
Flag This Row	'Taste of the world': A re-evaluation of the publication history and reception context of Andrew Lang's Fairy Book series, 1889-1910. Hines, Sara Marie Ph. D., Dissertation, University of Edinburgh, 2013. (DAI-C 73(8). 2013.) https://era.ed.ac.uk/handle/1842/7792 Subjects: FAIRY BOOKS (1889-1910) (SERIES); FAIRY TALES; LANG, ANDREW; PUBLISHING; READER-RESPONSE THEORY; RECEPTION THEORY Options: Download this record ; E-mail this record
Flag This Row	'The Dark Side of Hope': Genre and Globalization in The Hunger Games Kurtz, Malisa Extrapolation 58(2-3): 255-272. July 2017. Subjects: COLLINS, SUZANNE; GENRE; GLOBALIZATION; HUNGER GAMES, THE (SERIES); RECEPTION THEORY; THAILAND; TOTALITARIANISM Options: Download this record ; E-mail this record
Flag This Row	A Survey of Popular and Scholarly Receptions of the Star Wars Franchise Isaacs, Bruce in: Kapell, Matthew K./Lawrence, John S., eds. Star Wars Franchise: Finding the Force of the Fans, Merchandise and Critics. New York: Peter Lang, 2006. p. 265-282. Subjects: RECEPTION THEORY; SCHOLARSHIP; STAR WARS (FRANCHISE) Options: Download this record ; E-mail this record
Flag This Row	Bad Writing: Responses to Early Gothic Fiction and the Cultivation of Emotional Taste. Mathews, Elizabeth Jean Ph. D. Dissertation, University of California, Irvine, 2018. 250 p. (DAI-A 80(1)(E).) Subjects: CASTLE OF OTRANTO, THE (NOVEL); CASTLE OF WOLFENBACH, THE (NOVEL); EMOTIONS; GOTHIC GENRE; LEWIS, MATTHEW GREGORY; MONK, THE (NOVEL); MYSTERIES OF UDOLPHO, THE (NOVEL); PARSONS, ELIZA; RADCLIFFE, ANN; READERS; RECEPTION THEORY; WALPOLE, HORACE Options: Download this record ; E-mail this record
Flag This Row	Chaos and Contemporary Women's Fiction: The Place of Science in the American Literary Canon Kelley, Margot A. Ph. D. Dissertation, Indiana University, 1991. 290 p. (DAI-A 52(9).) Subjects: BAMBARA, TONI CADE; CANON; CHAOS THEORY; ERDRICH, LOUISE; INFORMATION THEORY; MORRISON, TONI; NAYLOR, GLORIA; PHILLIPS, JAYNE ANNE; POSTMODERNISM; RECEPTION THEORY; SCIENCE IN LITERATURE Options: Download this record ; E-mail this record
Flag This Row	Chasing Canon in J. K. Rowling’s wizarding world: towards a poetics of reception of transmedia storyworlds. O'Dette, Katarina Fantastika Journal 2(1): 81-95. July 2018. Subjects: CANON; HARRY POTTER (NOVEL SERIES); RECEPTION THEORY; ROWLING, J. K.; TRANSMEDIA Options: Download this record ; E-mail this record
Flag This Row	Constructions of the Child, Authority and Authorship: The Reception of C. S. Lewis and Philip Pullman. Eldridge, Elisabeth in: Barfield, Steven and Cox, Katherine, eds. Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. Jefferson, NC: McFarland, 2011. p. 40-56. Subjects: AUTHORSHIP; CHILDREN; LEWIS, C. S.; PULLMAN, PHILIP; RECEPTION THEORY Options: Download this record ; E-mail this record
Flag This Row	Contemporary French Science Fiction (1950-1980): A Literature of Crisis. Lehmann, Vivian V. Ph. D. Dissertation, Stanford University, 2002. 236 p. (DAI-A 63(4): 1370. Oct. 2002.) Subjects: ACADEMIC RESEARCH; ALIENATION; ANTI-SCIENCE; APOCALYPSE; CULTURE; FRANCE; HISTORY OF SF AND FANTASY; PESSIMISM; RECEPTION THEORY; SCIENCE FICTION Options: Download this record ; E-mail this record
Flag This Row	Critical Reception of Metropolis, The. Minden, Michael in: Minden, Michael and Bachmann, Holger, eds. Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear. Rochester, NY: Camden House, 2000. p. 47-56. Subjects: METROPOLIS (1927) (FILM); RECEPTION THEORY Options: Download this record ; E-mail this record
Flag This Row	Displaced Auteur: A Reception History of the Shining. Bingham, Dennis in: Falsetto, Mario, ed. Perspectives on Stanley Kubrick. New York: G. K. Hall, 1996. p. 283-306. Subjects: KUBRICK, STANLEY; RECEPTION THEORY; SHINING, THE (1980) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Genre, Reception and Adaptation in the Twilight Series, ed. by Anne Morey. Morey, Anne Farnham, UK: Ashgate, 2012. 236 p. Subjects: FILM ADAPTATIONS; GENRE; MEYER, STEPHENIE; RECEPTION THEORY; TWILIGHT SAGA (FILM SERIES); TWILIGHT SAGA (SERIES) Options: Download this record ; E-mail this record
Flag This Row	Intercultural Study, The: The Reception of J. K. Rowling's the “Harry Potter” Book Series in Iran. Roostaee, Zahra Master's Thesis, Universite de Sherbrooke, 2010. 157 p. (MAI 49(4).) Subjects: HARRY POTTER (NOVEL SERIES); IRAN; READERS; RECEPTION THEORY; ROWLING, J. K. Options: Download this record ; E-mail this record
Flag This Row	Modern Science Fiction and Its Reception by the American Literary and Educational Communities, 1926-1970, by Frederick Andrew Lerner.. Lerner, Fred D.L.S. Dissertation, Columbia University, 1981. 387 p. (DAI-A 44(10):2917. April 1984.) Subjects: BOOK REVIEWS AND REVIEWING; CRITICISM; FUTUROLOGY; HISTORY OF SF AND FANTASY; LIBRARIANS; LIBRARIES; PUBLISHING; RECEPTION THEORY; SCHOLARS; SCHOLARSHIP; SOCIOLOGY OF SF AND FANTASY; TEACHING SF AND FANTASY Options: Download this record ; E-mail this record
Flag This Row	Myth Awakens, The: Canon, Conservatism, and Fan Reception of Star Wars, ed. by Ken Derry and John C. Lyden. Derry, Ken; Lyden, John C. Eugene, Or: Cascade, 2018. 173 p. Subjects: CANON; CONSERVATISM; FANON (FAN CANON); FANS; RECEPTION THEORY; STAR WARS (FILM SERIES); STAR WARS (FRANCHISE); STAR WARS: EPISODE 7: THE FORCE AWAKENS (2015) (FILM) Options: Download this record ; E-mail this record
Flag This Row	Night of the Living Dead Dissects the News: Race, the 1967 Riots, and “Dead Neighbors”. Pinnix, Aaron JCMS: Journal of Cinema and Media Studies 60(4): 109-133. Summer 2021. Subjects: AFRICAN AMERICANS; NARRATIVE; NIGHT OF THE LIVING DEAD (1968) (ROMERO) (FILM); RACISM; RECEPTION THEORY Options: Download this record ; E-mail this record
Flag This Row	Post-Pandoran Depression or Na'vi Sympathy: Avatar, Affect, and Audience Reception. Holtmeier, Matthew Journal for the Study of Religion, Nature and Culture 4(4): 414-424. 2010. Subjects: AUDIENCES; AVATAR (2009) (FILM); RECEPTION THEORY Options: Download this record ; E-mail this record
Flag This Row	Posthumain et réception, de The Tempest à Westworld. Lemonnier-Texier, Delphine TV series, No. 14, 2018. https://doi.org/10.4000/tvseries.2786 Subjects: POSTHUMANISM; RECEPTION THEORY; SHAKESPEARE, WILLIAM; TEMPEST, THE (PLAY); WESTWORLD (2016-2022) (TV) Options: Download this record ; E-mail this record
Flag This Row	Production and Contemporary Reception of Metropolis, The. Bachmann, Holger in: Minden, Michael and Bachmann, Holger, eds. Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear. Rochester, NY: Camden House, 2000. p. 3-5. Subjects: AUDIENCES; METROPOLIS (1927) (FILM); RECEPTION THEORY Options: Download this record ; E-mail this record
Flag This Row	Reception of J. K. Rowling's Harry Potter in Britain and Germany, The: A Comparative Study. Bekaan, Brigitte Thesis, Carl-von-Ossietzky Universitat, Oldenburg, Germany, 2002. 75 P. Subjects: GERMANY; GREAT BRITAIN; HARRY POTTER (NOVEL SERIES); READER-RESPONSE THEORY; RECEPTION THEORY; ROWLING, J. K. Options: Download this record ; E-mail this record
Flag This Row	reception of The Hobbit in Canada, The: does fantasy need technology?' Baltruschat, Doris; Martin, Jennifer G.; Mathijs, Ernest Participations: Journal of Audience and Reception Studies 13(2): 175-198. November 2016. http://www.participations.org/Volume%2013/Issue%202/s1/2.pdf Subjects: AUDIENCES; HOBBIT, THE, OR THERE AND BACK AGAIN (NOVEL); RECEPTION THEORY; TOLKIEN, J. R. R. Options: Download this record ; E-mail this record
Flag This Row	Remember! it's Only a Movie! Expectations and Receptions of The Day After (1983). Overpeck, Deron Historical Journal of Film, Radio and Television 32(2): 267-292. 2012 Subjects: AUDIENCES; DAY AFTER, THE (1983) (TV FILM); RECEPTION THEORY Options: Download this record ; E-mail this record
Flag This Row	Reviews, Previews and Premieres: The Critical Reception of The Lord of the Rings in the United Kingdom. Mathijs, Ernest in: Mathijs, Ernest, ed. Lord of The Rings: Popular Culture in Global Context. London: Wallflower Press, 2006. p. 119-142. Subjects: AUDIENCES; BOOK REVIEWS AND REVIEWING; CRITICISM; GREAT BRITAIN; LORD OF THE RINGS, THE (NOVELS); RECEPTION THEORY; TOLKIEN, J. R. R. Options: Download this record ; E-mail this record
Flag This Row	Star Trek and the Birth of a Film Franchise. Booker, M. Keith in: Telotte, J. P. and Duchovnay, Gerald, eds. Science Fiction Film, Television, and Adaptation: Across the Screens. New York: Routledge, 2012. p. 101-114. Subjects: FILM ADAPTATIONS; GENRE; RECEPTION THEORY; STAR TREK (FILM SERIES); STAR TREK: THE ORIGINAL SERIES (1966-1969) (TV) Options: Download this record ; E-mail this record

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